Photographer’s resolutions for 2017  

The snows and drab colours of 2016 with the growth and bright colours of 2017.

The snows and drab colours of 2016 with the growth and bright colours of 2017.

So many people are saying they are relieved 2016 is over. I don’t know if I am really ready for this year to be over yet, there are lot of things I have enjoyed. That said, this year, 2016, like so many before it has passed by like a rocket. And there surely are new and exciting opportunities in the year to come, so I asked some friends if they had any resolutions or personal photography goals for 2017.

I knew they would struggle a bit knowing I wanted more than the usual simple ones we read about on some forums like, use a tripod more, turn off Auto mode, shoot RAW, make a photo-a-day challenge, and so on.

These first five are from my friends. I have edited them a bit, but the following is what I liked best from their resolutions for 2017.

  1. “This year my approach to photography is going to be to romance the simple things.” I like that. So much of the time photographers get so involved with the latest technology and spread themselve’s over everything while forgetting about the small stuff. And I think adding a bit of romance (whatever that means to each of us) is always a good thing.
  1. “I’ll be learning lots, I just got lights an they’ll give me plenty of opportunity to develop my own style. I want my knowledge to show in my work.” There is nothing like education. I can’t think of a better goal for any photographer.

3. “To grow and improve, as a photographer.” Now that is a good resolution.

  1. “Try new techniques and explore new places”. I could also use words like “examine” and “research.”

5.   “Despite how busy things get, make the time to shoot.” That is a great resolution for any one that enjoys this                                                  exciting medium.

I want to finish by adding two from previous years so as to give us a “Lucky Seven” for a lucky year for 2017.

  1. “Be more ruthless with the seeing and editing process; conditioning oneself to throw out the crap is the only way to keep improving.” This resolution is “quality not quantity”.

And I’ll suggest a final resolution number for everyone:

  1. “That they should take risks photographically and move away from always trying to please, and fitting in with what everyone else is doing.”

Make this the year to push beyond the comfort zone without being concerned with other’s opinions, to be pleased  first for oneself. Make this the year to put “me” in the photograph.   Linda and I are wishing everyone a Happy and eventful New Year.

Do you have a resolution for your photography for 2017 you’d like to share?

Another Year Is Just About Over

 

This year's adventure is about over.

This year’s adventure is about over.

 

Another year has gone by and I guess its time to put the old baggage away and get out the new. Christmas is here and I’m sure the year to come is going to be filled with fun photography.

I hope that the thoughts and experiences I have written about this past year have been interesting and worth reading. My goal is to write articles that are, at the least, a bit different from the exotic location photos in magazines, and that complicated on-line how-to.

I will admit that just posting a couple of pictures with a how I-did-it recipe would be easier, but this damn medium of photography is so damn exciting that I can’t help but talk about why I like it.

As I wrote last year, there are so many people writing about photography that I do wonder if I can add anything worth viewing and reading.

I try to stick with a technique that worked during the many years I taught photography and that is to tell a story that includes photo information I want to discuss.

Something else that I learned during my years teaching was to keep the subject fresh. That meant introducing something new each class and that is how I choose my topics, something different each week.

Changing the subject each week does get hard, and (I wish I could say it wasn’t so) there are other things in life than photography and it isn’t unusual for me to say Linda, “Gosh, I have no idea what am I going to write about this week.”

Fortunately, with Linda’s help it usually works out and I come up with something to say each week.

Linda reminded me that last year I mentioned those subjects that I enjoyed writing about the most. Well, looking back here are my personal favorites.

My article in August, “Two Photographers Are More Fun” was very personal because my wife Linda is the best photo-partner I could ask for. Throughout the year I wrote several times about the Lighting workshops I lead. I enjoy watching others learn about photography and in my articles I try to explain a little about that process and adventure. I also wanted to let people know how much fun I had in September photographing a little location at Vancouver’s Denman Street and Stanley Park. Those are a few. I generally liked all the subjects I photographed and wrote about.

I’ll keep this short and wish all photographers out there a very Merry Christmas.

Photography at the Christmas Party   

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I talked to a person this week that has been asked to be the staff photographer at an upcoming event. With that, I thought I would revisit an article I wrote December 2014.

The Christmas season is here and that means photographers will happily begin filling memory cards with photographic opportunities as they join family, friends, and co-workers at this month’s festive events.

The act of picture taking has become easy and so much fun as people rush over to take a picture and then quickly show other partyers the images from the LCD. Some seem more interested in that quickly snapped candid than what is actually happening at the moment. For many, it is more about the activity of picture taking than it is about making memorable photographs of the party.

Images made in this fashion rarely become more than stored files on computers and cell phones. People have good intentions, but after that initial viewing, most photos loose value because there are too many, and very few are good enough to give to others anyway.

What is my advice for photography at the next Christmas party? Yes, continue to make candid photographs of people having fun, but, perhaps, think about making pictures that tell a story, capture an exciting moment, and importantly, flatter the subjects. Most people don’t mind seeing a picture of them being silly or having fun, but they don’t like pictures that make them look stupid or unattractive.

My approach is to take a moment to look at the room in which I intend to make photographs, make a couple of test shots using longer shutter speeds (my favourite is 1/60th of a second), to include the room’s ambient light. And I always use a flash so as not to end up with brightly lit faces surrounded by a black environment.

I suggest taking group shots with two or three people. Get them to position themselves squeezed together with a tight composition, and include only a little background or foreground. Don’t shoot fast. Steady the camera. Select a shutter speed that includes the ambient light. Use a flash. Fortunately most modern DSLRs easily allow ISO sensitivity that can be set to 1600, and some can go a lot higher.

Shutter speeds of 1/60th of a second, or less, doesn’t always work for children (or adults) playing in the snow during the day because moving subjects will be blurry, but, with limited indoor lighting, moving subjects will only be properly illuminated when the flash goes off.

Lighting everything with complicated studio equipment would be great, but that would ruin the party for everyone. The occasion would become more about the photography and less about the fun and festivities. I use a hotshoe mounted flash and make adjustments as I go. I want to join in on the fun, blend in, and not act like a photojournalist.

Family and friends don’t mind having their pictures taken as long as it’s enjoyable and I want pictures that show them having a good time. So, along with those quick candids I make posed portraits with smiling faces, and if I select some pictures to give away later I want people to like and not be embarrassed by the pictures taken of them.

 

 

 

 

 

Twelve Gifts for a Photographer’s 12 days of Christmas     

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We finished setting up our Christmas tree, and sat down to celebrate with a glass of eggnog, while listening Christmas music coming from the TV music station. As we rested Linda just asked me that question that I had been side tracking, “You haven’t told me yet what you want for Christmas. Do you want something for photography?”

I hadn’t thought about what I wanted. And regarding anything to do with photography, if I thought I could afford it, I would usually just get it for myself.

I had been enjoying the tree, and the Christmas music, but as far as a gift for me, especially, “something for photography” left me at a loss of what to say, so I replied, “I suppose I want everything and anything that will fit my camera.”

I watched the train go round the tree, and I listened to the music, but I am still thinking about what I should tell my wife.

In keeping with that subject, I decided to pose that question to some photographers I know. There are so many different genres of photography with different ideas on what would be the perfect photography gift for each. I edited them and selected twelve in keeping with the tradition of twelve days of Christmas.

I am sure readers have their own Christmas list, however, here are some items that I picked out for this year.

(1) I had more than one person say, “I would like to move up to a newer model.” And their discussion for preferring full or cropped frame is always fun. The first on this list is one of many that wanted a particular camera. I think a photographer would have to have been real good to deserve this.

(2) I wasn’t surprised with this one, “I asked Santa Claus for the new Tamron 150-600mm lens.”

(3) When I heard this from a very serious photographer I thought, “me too”, “There is a new program called Aurora I would really like to try out over the Xmas Holidays.”

(4) More than one photographer upon retiring has gone this way so I wasn’t surprised with when some said, “After all these years of packing around a big DSLR, I would really like Santa to give me a small, lightweight Mirrorless camera.”

(6) Hey, this idea is just smart, “I’ve asked for gift cards, better chance of getting some of those than the Nikon D500 I really want.”

(7) “A new graphite tripod would be great to find under the Christmas tree.”

(8) I have my fingers crossed for this person, “A new camera backpack to hold the 70-200mm lens I hope I am getting.”

(9) A budding portraitist said, “I am hoping for several things this Christmas. A flash, a wireless off-camera trigger and a light stand with a softbox.”

(10) This is a great choice, “I really would be happy if I could get a macro ring flash for Christmas.”

(11) And I thought, “well of course” with this, “I think I’ll request that Santa Claus puts a couple of good quality, 32GB memory cards in my stocking.”

(12) This last one is practical for both portraiture and garden photographers “I’d be happy with a 5-in-1 collapsible reflector.

Personally, I could suggest many of the previous, but there are two photographers in our household and there needs to be some money left for my wife. So I’ll to put more thought into this before I reply.

There is still time to get your list to Santa. Good luck and Merry Christmas.

Photographing a Late Fall Garden   

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I try to wander about in our garden with my camera each and every time the season changes; spring, summer, fall and winter.

I have photographed the changing garden throughout the years and, although it always seems very familiar and comforting, I find myself discovering different ways to capture the life that begins, grows, blossoms and then retreats into sleep. There are times when I have constructed elaborate sets with reflectors to capture and control the light. I have built mini studios much like the controlled indoor setups that portrait photographers are familiar with. I’ve lain in the snow and employed umbrellas on rainy days. However, on this particular day I wanted light, and waited all day for sunlight that seemed reluctant to bring me one day of fall warmth I wanted to photograph before the snow that was predicted in a day or two.

When 3pm rolled around I worried that if I didn’t get something done in the quickly dropping light, other than look out the window, I wouldn’t get any pictures at all.

My camera was waiting with a manual 200mm macro, wireless sender and two light stands with a flash and umbrella mounted on each. However, when I finally walked outside (yep, I already said “quickly dropping light) I realised I was doomed to failure if I relied on taking the time to set up that equipment.

Years ago I was asked to give a lecture to the Abbotsford Photo Arts Club. I won’t go into that long discussion, but the title I chose was, “A problem solving approach to photography”. And I realised that this was the time to move into a problem-solving mode.

I removed the 200mm macro from my camera and replaced it with my wife’s 70-180mm macro. I prefer my old manual lens for close up photography, but that Auto focus zoom macro is really easy to use.

I also put aside the light stands and attached a single flash to an eight-foot TTL flash cord. I could have set things up wireless, but I was going for quick and easy and with the TTL cord I just let the flash hang off my shoulder until I wanted it.

I could have used a high ISO, a wide aperture, and just popped a bit of light for a proper exposure. But a high ISO would increase the ambient light and show the lifeless colours of surrounding foliage. A wide aperture would limit my depth of field, and TTL is fast and easy to light, compose and relight a subject.

I under-exposed my exposure by several stops, and let the dedicated TTL flash (with a diffusor cup) do what it was designed for, to deliver just the right amount of light on my subject.   That gave me a dark background that I could later make completely black by adjusting the contrast in Photoshop.

I didn’t have a lot of time before more clouds moved in making an already dark afternoon even darker, but my portable set-up made things easy and even gave me a moment to pause and watch our three legged, feral cat flee as it ran out from the cover of the shrubbery. Gosh, in spite of the damage to her one back leg, she sure can move.

I had been trying for three days to get some pictures, but unpleasant weather and life in general got in the way. However, with a bit of problem solving and the will to finally get out and do something, a person can end up with a few photographs worth keeping.