What about Black and White photography?    

A fellow stopped by my shop this past week to see what kind of film cameras I was selling. I don’t think he was planning on a purchase as much as he was interested to see if there were still film cameras available and, likely, just wanted to kill some time in a warm shop after wandering along the freezing street.

He began by saying he missed the days when he would load his camera with Black and White film and go out for the day. I laughed and said there is no reason you can’t still do that. “You just have to set your digital camera to black and white only mode. ” Then added, “of course I prefer to convert my images to Black and White in post.”

I remember those days (Not so fondly I may add) when I would always carry two cameras to photograph a wedding or a family. One would be loaded with colour film and the other with black and white.  I placed a bright sticker on one camera so I would remember which had which film. And when I went on vacation I also would carry two cameras, one with black and white and one with slide film.

Always toting two cameras, and always changing lenses! Gosh, what a hassle lugging a big case with two cameras, lenses and bags of film.

I knew that fellow was just being nostalgic so I didn’t say any of that, but I sure thought about it and how much easier I have it now.  He commented how much he liked black and white photographs and said he still has enlargements he made years ago hanging on his walls.

I also share is love for black and white prints. There are eight framed photographs that my wife and I made hanging on my walls. Including one that’s 3 feet by 4 feet. And there is even a B&W framed poster by Alfred Stieglitz on the wall behind the computer.

I agreed with him when he said that he thought that, black and white photographs, “convey a mood that stretches the imagination” and he mentioned that he admired several of the B&W portraits I have hanging in my shop.

That was a perfect time for me to quote Photojournalist Ted Grant, who is regarded as Canada’s premier living photographer, “When you photograph people in color, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!”

In an article in June of 2014 I wrote. “A black and white photograph depends on its ability to communicate, it doesn’t need to rely on eye-catching colours for its’ visual presentation. Those B&W images that stand and pass the test of time combine attention to subtle changes in light, composition, and perspective. And it stretches our creativity and forces us to visualize our world in different terms.”

I wouldn’t want to be limited to shooting black and white any more than I would want to be limited to only using one lens. Some images just seem stronger in colour. However, if I can again repeat what I also wrote in that 2014 article, “I remember a photographer once saying that he believed shooting in B&W refined one’s way of seeing. And I heartily agree.”

 

 

 

 

 

 

 

 

 

An early morning photo challenge                                         

My friend, neighbour, and photo pal Jo decided to give herself an early morning photo challenge. That meant after feeding her kids, 6 dogs, making sure her 13 year old son is ready for school and greeting her tired husband after his long night shift, she quickly sneaks out with her camera to create artistic images out of normally uninspiring objects she finds close to her rural home.

I first knew Jo was taking this challenge on when she texted me a picture of deer chomping on her neighbour’s bushes one morning. She casually added a close-up of snow that had drifted around a small tree trunk. I was thrilled with how she captured the play of light and shadow on something most photographers would walk past.

The mundane, normal features people ignore along the snow laden winter neighbourhood street as they dash from their warm homes, coffee in hand to jump in their cold cars, and join the morning battalion on the icy highway, are Jo’s chosen subjects.

I wonder what people think as they look out their windows at Jo all bundled up, holding her camera in gloved hands as she wanders the vacant streets. I can imagine her dodging oncoming cars as they slip along the icy snow packed street.

What those drivers are thinking when they see her standing calf deep in the snow, photographing a tree branch.

I’ll add this first quote by the iconic American photographer Annie Leibovitz, “The camera makes you forget you’re there. It’s not like you are hiding but you forget, you are just looking so much.”

I like her words, and I am pretty sure that most serious photographers get lost in the moment when they look into a scene searching to create interest out of some normally unremarkable object.

Of all the photography challenges people post on the many social media sites I think I like this one the most. It is hard for us to find interest in the world we walk by everyday. And forcing oneself to be creative with some unremarkable subject is a struggle, let alone wandering around on a cold February morning just after sun up.

I asked Jo why she likes to meander around with her camera in the early morning. She wasn’t sure, and at first only said, “because its peaceful”. However, I think there is more to that kind of challenge than searching for a peaceful moment. I know her enough to say that she is demanding in her photography, and is always exploring alternatives.

Photography is such an exciting medium that lets us examine the world around us in our own personal way. This kind of photographer’s challenge does just that.

I’ll end this with a couple quotes by Depression era photojournalist Dorothea Lange who wrote, “A camera is a tool for learning how to see without a camera.” And she also wrote “To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.”

A snowy walk to Chase Falls

 

The day was grey, flat and cold. but, I was bored with watching TV and wanted to get out and put some footprints in the snow.

I lazily thought about wandering the deep snow in my yard or just taking a drive on the slushy roads above my home. However, I hadn’t visited the nearby Chase falls since a hot day in July and I thought it would be fun to see if there was any water coming over the falls.

When I visited the falls last summer I was joined by my photographer friend, Jo McAvany. I remember Jo loudly complaining about the mosquitos on that hot dry summer day. So I called her and asked if she wanted to trudge through the two-foot deep snow up to the falls and promised the mosquitos wouldn’t be too bad this time of year.

I don’t know what kind of deal she made with her husband on his day off work, but she said, “sure I want to go”.

As I thought, the trail into the falls hadn’t been tramped down by people, and other than foot prints of a lonely racoon that I expect has a warren somewhere in the river canyon to hide in when he’s not marauding garbage cans in the tiny town of Chase, we were breaking trail.

Last July Jo complained about the mosquitos. However, this time it was me complaining that I should have worn high top boots because the snow that filled my short-topped boots left little room for my feet.

I would have liked to climb down to the falls, but the snow hid all the boulders and caution said venturing beyond the trees might end in a very cold bath.

Jo had mounted a 24-105mm on her camera and I had my trusty 24-70mm on mine. We both had put longer lenses in my backpack, but the wide-angle lenses were the most comfortable to use.

The day was mostly cloudy and flat, but every now and then things lightened up just a bit. Not enough to create shadows, but at times there were highlights on protruding rocks, tree limbs and the water.

On a bright day one always struggles with overexposure on a waterfall. I prefer a slight overcast or a foggy day, and I did get some reasonable photographs of Chase Falls this time. Bright sun, deep shadows, a scene with too much contrast or mosquitos didn’t bother me this time. But just a bit more light (and less freezing snow in my boots) would have been nice.

Over the past forty years have visited those falls at least once in every season, and I can’t begin to count or even remember all the different cameras I have pointed at the falls and the surrounding area in that small canyon.

There has been lots of change as the canyon errodes, logs and boulders are swept over the falls and trees and foliage grow taller and denser. I am hoping to be making that short walk each season for at least ten more years.

Thoughts on upgrading to a better camera.     

 

In the previous era of film cameras many serious photographers would come to a point when they would consider whether to upgrade from an automated point and shoot type camera to a 35mm interchangeable lens SLR or to trade in the their well used 35mm SLR for a medium format 120mm camera, and maybe even to take the climb to a 4X5 view camera.

For film-based cameras it was all about the size of the film and bigger was better.  I recall feeling bad for those people that had friends photograph their wedding with a 35mm camera. The only way to get quality-wedding photographs was really only by photographers using larger film in their 120mm medium format cameras.  If one wanted a colourful, sharp, grain free enlargement then 120mm or larger was a must.

What do I now say to a photographer that is considering a more serious approach to photography?   I will always begin with the question, “what are your interests and what subjects do you like to photograph?”

My short answer for digicam and iPhone users is, if sports and fast action, wildlife or quality print enlargements are the goal, then, yes absolutely get a DSLR.    DSLR cameras don’t have shutter lag so sports photography is easy and action demands a camera (and quality lenses) that can adjust shutter speed and aperture. Wildlife photographers prefer a selection of telephoto lenses that can be changed at will, and obviously the best images are produced with sensors that are considerably larger than digicams and iPhones.

Digicams & iPhones are convenient for candid shots. Most of us have ’em in our pocket anyway. However, for photographers that are aware of the huge limitation of those tiny sensors and cheap little lenses the next question is, what is the best choice for a first time DSLR?

For this discussion I will put DSLR cameras in two simple categories, amateur and professional.  The difference between amateur and pro cameras has surely become hazy. If I were to offer a short comment I would say the most obvious difference is durability.  Pro cameras feel sturdy, are heavy and sealed against the elements. When dropped, they usually don’t break, and even with hard use will last a long time.  The amateur camera generally has lighter weight and smaller size.

When the first DSLRs came onto the scene there was definitely a difference in the quality of the images between entry level and professional level cameras, but that is not as distinct now. The technology for sensors and in-camera processing has rocketed.  The latest entry-level model may well have the same sensor as the previous year’s expensive pro model as the technology is transferred over.  The main difference is in the weight, substance, durability, and controls.

The new models are always being introduced, with that many previously great camera models will be reduced in price, discontinued and there are opportunities to purchase at reduced prices.  As always there will be a flurry of megapixel chasers that change their camera with every new model upgrade, making used cameras available.

Whatever the camera availability, my advice to those photographers asking the “upgrading” question is to consider what kind of photography they want to do. Talk to other photographers about the cameras that are interesting, go online and check out the many photography forums to find out what others with that same interest are using, and attend some classes.

So what are my thoughts on upgrading to a better camera? If it’s affordable, don’t hesitate, do it. Using a new camera is always fun, educational, and I believe the process of learning how to control and effectively use the unfamiliar technology a new camera offers is like a shot in the arm that gets the excitement going and ultimately helps one become a better photographer.

Volunteering your photography and using a flash           

 

This Christmas I volunteered to be a helper and photographer for a neighbourhood community friendship group.

Each year Dale Northcott, owner operator of Northcott’s New and Used, joins other local help organizations to put on a Christmas Meal for anyone in Kamloops that would like a big home cooked meal during Christmas.  This year Northcott asked me if I would take a few pictures of the event.

For those that might wonder about photographing a large room full of people, I’ll remind them that I use flash. I always have a flash attached to my camera when I photograph people close up, indoors or out. However, I never use the ineffective little pop-up flash that is part of the most modern digital cameras and I also don’t just slide a flash on the hotshoe.

I have never liked that bright directional light created by being inches away from the center of the lens. It is harsh and unflattering. The best would be to carry an off-camera flash mounted on a stand, but in crowded circumstances that doesn’t work very well. So the next choice is to have the flash mounted on a bracket that puts the flash up and off camera at least four or five inches.

That flash bracket is my choice. Most of the time it puts the subject’s shadow down and behind them and its slight distance from the lens makes a more flattering light. My Nikon flash comes with a frosted diffusion cup fitted over the flash head that modifies and softens the harsh, direct light of the flash.

I always test my location and try for a balanced light. Fortunately, in this location I was able to adjust the room lights to get plenty of ambient light bouncing off the walls and the ceiling so I wouldn’t get that “deer-in-the-headlights” effect.

I think sometimes photos are of the organizers and volunteers get overlooked, and those were the people I approached as soon as I got to the hall. I am not one of those that nervously says, “Hi my name is so and so, can I please take your picture”?  I walk right up to the person and start talking as if we’ve always been friends. I rarely have to ask questions, because my new friends usually tell me about themselves, their organization and how important the event is. Then all I have to say is, “I gotta get a picture of you, hey grab that bowl or how about you wash some dishes…this is going to be a great picture.” And in this case I also said, “ I’ll be giving the pictures to Dale Northcott so you can get one.”

There was another photographer that knew many of the people sitting down to eat and I let him take their pictures. As I was about to leave he commented that one person asked him to delete their picture. I said, “and of course you did”, and he smiled and said, “yes I did”.

It was a fun event to attend, I liked taking pictures of the volunteers and organizers, and I got in great conversations with people that finished eating. My favourite comment was “did you get enough to eat” and “can I get you more”?

I know there are those that seem to believe their cameras are too valuable to be used for free, and the photographs they make are also too valuable to be given away. In the forty plus years I earned a living in this exciting medium of photography, I have never been one of those people.

My best wishes to readers on this festive season. And I hope everyone has a Happy New Year.

Photographing the Canadian Pacific Holiday Train 

A couple weeks ago I wrote about how much I like Christmas lights.

Well, the Christmas holiday season isn’t over yet and to prove it I got a chance to set my tripod up on the cold, winter’s river beach a few minutes down the hill from my home to photograph Canadian Pacific Railroad’s Holiday Train.

CP Rail’s website says, “The CP Holiday Train program launched in 1999 and has since raised more than $13 million and four million pounds of food for communities along CP’s routes in Canada and the United States…. The holiday season is the best time of the year, and we look forward to bringing together thousands of Canadians and Americans this season for this incredibly important cause and a great time.”

As I have in past years, I positioned myself on the beach across the river so I could get a wide shot of the brightly lighted train passing on the opposite side with the dark hills and forest behind.

I arrived an hour in advance while there was still plenty of light and made a few test shots. The schedule put the train at our location a bit after 4PM, just as the sun was going down. The time was about right for my preference of shooting just while there is still that cool, blue light illuminating the sky and I have enough light in my photograph to define the train from its surroundings.

I set my camera at ISO 3200. That allowed me to keep my aperture at f/5.6 for plenty of depth-of -field. I was a bit under exposed, but a stop or two really didn’t bother that kind of low light image. After all, the train’s lights were very bright.

As with past years there was a strong, cold wind blowing down river. In past years it was colder and I had bundled in the car drinking hot chocolate till the train arrived, but this year was warmer and I just stood there enjoying watching my neighbours children running around on the beach. When the train finally arrived the three year old boy and I both yelled, “The Christmas Train” I am sure his mother, shivering in the cold wind, just shook her head thinking, “Boys”.

A young fellow purchased a 1980s film camera from my shop today and we talked for some time about how interesting prints made from film are. He was really thrilled to begin capturing the world around him with film.

As I selected the images that I had edited and worked over using several computer programs for this article I thought of that young photographer and the journey he is beginning with film.

I am sure he will have fun, but the photographs I made of the Holiday train would have been beyond the ability of most popular films he will find at local outlets, and I had the unfair advantage of computer programs with which I could squeeze every bit of data there was in the digital file I made.

Photographing the Holiday train was fun and I am always surprised that there aren’t carloads of photographers joining me on the beach when the train comes by.

 

 

 

 

 

 

 

 

 

 

How about Christmas cards?

 

I like all the festive celebration and excitement of Christmas, and truly enjoy all the colourful decorations, the lights and listening to Christmas music for a whole month.  Yes, I do like Christmas music.  I have also written about Xmas cards before.

All year long the photography social media sites on the Internet that I belong to have been filled with photos made by members, but images posted on the Internet quickly become faded memories and are easily forgotten when an hour later someone else posts theirs.

I like photographic prints. Prints have a life, whether framed and hung on a wall in our home, taped on the refrigerator, or thumbtacked in an open space in the workroom. To me a print of any size has more importance and life than a digital image on my computer or iPhone screen.

Christmas is a great time for photographers, and besides than just having fun taking pictures of anything and everything they now an opportunity to give friends and family their photographs.

I suppose that could mean a big framed photograph, but what I am writing about today is Christmas cards. Cards are easier and less expensive than framed prints, and any card of a photographer’s work is more personal as a gift than an email or little picture tagged to a text message.

I don’t want to believe that any photographer would ever be satisfied with mass produced generic Christmas cards. Personally, I want people enjoy my photography, even if it’s only as a 5×7 card.   A card to someone I care about is so much better than having my pictures left languishing as image files deep in some computer hard-drive that hasn’t been backed up.

Right now I am going through my many files from this year’s photographs selecting those I want for Christmas cards. I’ll print up different subjects and place all sorts of greetings on them. It is rare that I give the same picture to more than one person. And not all the cards say Merry Christmas. Although I like “Merry Christmas” what wording goes on a card doesn’t really matter to me. Happy Holidays, Seasons greetings, Have fun, A good New Year, and anything else I think fits a particular picture. It’s about the card, never the words.

I have written before that I always produce a new monthly calendar. My wife and I used to alternate our months.   Doing a calendar is a neat way to personally enjoy my photography, but cards are a lot more fun because they are for others to enjoy. I also make cards for all occasions, like birthday’s, Valentine’s, Mother’s day, etc., My family has come to expect me to share my photography. Sometimes it’s only a picture of something we’ve done, but if it’s a special occasion they always will get a card. Even when would I go to my granddaughter’s school Christmas concert, I always took their pictures, made a card and send it to them through the mail.

For those photographers that don’t have their own printer, it’s as easy as having a 4×5 print made at a local lab. Then get some construction paper, glue a picture on it, fold the paper, write something like Merry Christmas inside and give it away. And don’t make all the cards the same.

What would be the fun in that?