Monthly Archives: February 2020

Black and White Photos with Infrared  

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My last two articles discussed using black and white photography and I’d like carry on with that topic this week.

This past week when there was one of those almost rare sunny clear blue sky February days I decided take a drive around my neighbourhood to make some pictures with my infrared camera.

That camera gives me scenes of colourfully altered reality when the light is right with results that are often unusually deep blue skies, and trees that are yellow or white instead of green. However, continuing on with what I have been writing and thinking about when and loaded the day’s files on my computer I converted the colourful images to black and white.

I like the striking effects I can sometimes get that are contrasty with dark skies and white vegetation when I make a black and white infrared photographs. They seem to have what some photographers call an “otherworldly” look.

I like converting my digital files to black and white and I enjoy the creative manipulation available to me.

Scenic photographer Nathan Wirth explains that creativity, “I wanted something different to experiment with, and I saw the potential to experiment with those infrared whites that come from the greens and the infrared blacks that come from the blues…and manipulate them until I found the stark contrasts that I was interested in.”

Infrared is a different way to visually discuss a subject, and a black & white photograph communicates in a subtle way. To me the combination of those two allows a photographer to stretch his or her creativity and show our world in different terms.

Digital and infrared gets me involved in the complete process from picking up the camera, the fun of doing photography, to completing the image on the computer. I enjoy the creativity of the infrared process that includes the computer. And wandering the neighbourhood on a sunny winter day with any kind of camera is so darned fun

A snow-covered landscape   

Posted by enmanscamera on

 

I looked out my window and the sun was poking in under the clouds creating deep shadows on the cold white snow after being dark and gloomy all day.

It made me think about the quote I used in my article last week by Paul Outerbridge, “in black and white you suggest; in color you state.” and thought, everything is so contrasty and monochromatic, it’ll give me a perfect opportunity to do a follow up on my last article about black and white photographs.

I rushed to get my coat and boots, attached my 70-200mm lens on my camera and went outside intending to get some interesting black and white photos of the shadows being cast in the yard.

As I trudged into the deep snow I looked around at the flat, overcast, shadowless landscape of my yard and thought of that verse by Robert Burns, “The best-laid plans of mice and men often go awry.”  The clouds had drifted lower to cover the bright light of the sun.  I was disappointed, but I spied a planter poking out of the snow and almost in desperation I focused on it and released my cameras shutter. Struggling through the snow a bit further I saw and photographed an old wooden wheel that was leaning against a lilac.

This time of year lots of photographers take advantage of the snow-covered landscape to create minimalist images and I thought, what the heck I’d walk down the street and see what I can find.

I could see a bicycle waiting for summer against my neighbour’s fence, and some wire plant holders in my garden. Boulders jutted out, sharp branches protruded, the snow falling off my green house made interesting shapes, and the handle of a rusty old snow blower my friend Shaun stuck along the road in front of my house on a hot day last summer to remind me that winter snow is only a few months away.

I just needed to “think in black and white” and remember to meter the darkest areas of each subject so I would not loose detail.

I wondered if I should drive down to the river or up along the road to find some deep snow drifts. Maybe I was just lazy, but with a bit of thought one never has to go very far from home to find subjects to photograph and anyway the road had very little snow so walking was easy. All I needed to do was go for a slow stroll along the road.

Even without the bright sun making shadows everything still could work as black and white photographs and that’s what I wanted. Sometimes I think flat overcast light isn’t worth my time, but when I returned home and loaded my pictures on the computer I was satisfied that this time it was.

In an article I wrote some years ago I said that a photographer I once met saying that he believed “shooting in B&W refined one’s way of seeing.”   That’s an intriguing thought, and if it is so, there wasn’t a much better time to visualise in black and white and exploit tonal elements in a scene as when one is viewing a snow-covered landscape.