Sometimes a good photo strikes the imagination.

Sometime in early 1968 I was moving a bunkhouse bed that belonged to another soldier who had served his required time in the Army and left for home.

Under the mattress was a book I had never seen before called “The Hobbit: An Unexpected Journey”. About four years later after I too had left that bothersome military chore me and many other young men were forced into, I was wandering through a huge used book sale and came across three books tied together; “The lord of the Rings”. I was so excited with that find that I hid myself away and in a non-stop session read them all. (I will say that my girl friend at the time was not at all understanding with my three-day disappearance)

Like any good story “The Hobbit” often comes to mind when I am in some creative outdoor setting.

This past weekend I joined my friend Jo McAvany and four costumed friends at a cold waterfall surrounded by ice and snow. My main job was to move the large wireless flash around, but I was able the get some photographs of our subjects when they were not posing for the planned portraits. I wasn’t especially trying for anything in particular, mostly just some outtakes that included Jo directing and photographing people.

Most of my photos were not shot with that flash. I was using a 70-200mm and a 24-70mm. I would set the light up for the person Jo was photographing and either wait for someone to randomly look at me or quickly choose a place where I could get a good shot.

I wasn’t expecting much, just some usable individual photos that were different than Jo’s that she could add to those she was giving to her friends.

“My imagination take over”

When I loaded my photos on my computer and selected those I would edit to pass on to Jo I began to see characters that could fit in Tolkien’s wonderful tale. In my imagination I saw water sprites, fairy queens, elves, and wandering heroes. Gosh, there was even the mysterious Tom Bobadil standing in the white snow in front of raging falls with soft green backgrounds and foreboding rock walls.

I didn’t see any of that when I was trudging through the snow and cautiously testing my footing on the slippery ice beside the turbulent icy water when I was photographing our models. Nevertheless, there the story of the Hobbit was as I looked at the images on my computer display. All I had to do was employ some creative and subtle editing to bring the story to life.

Philosopher, writer and composer Jean-Jacques Rousseau wrote, “The world of reality has its limits; the world of imagination is boundless.”

 

 

 

 

 

 

 

 

 

Close-up photos in the last snow of February

I was darned happy when I got up and looked outside on the last morning in February. 

There was two inches of snow covering my yard and the temperature was just touching the freezing mark.  Oh, and it was Sunday and I had nothing that I was supposed to do but enjoy February 28th.

The morning had a slight overcast and there was a faint breeze. I thought the breeze might be bothersome, but the overcast was the ideal condition for photographing my garden. I mounted my large wireless flash on a sturdy light stand. That flash would give me control over subject brightness and direction of the light and allow me do reduce background light. Additionally, the flash stopped the movement caused by that slight breeze. 

I rarely walk out in my garden with a plan. I just wander and photograph whatever catches my attention. On this day the snow clinging to plants and rocks and other objects that reside in my garden created the perfect subjects.

I’ll mention that my sprawling garden isn’t just a place where plants grow. My garden is also a place that contains things I have found. Plants climb over old chairs, stepladders, wooden wheels, pieces of fence, old doors and windows, and many other discarded objects that I think might be fun to photograph along with the plants.

Regular readers know that I employ a flash whenever I can.  Using a flash means I choose the direction of the light that touches my subject. And as I just mentioned, a flash allows me to determine the brightness of the subject and the environment it’s in. 

Natural light is so restricting and if I didn’t have a flash I wouldn’t have bothered trying to be creative on that breezy, flat, overcast morning.  However, all I had to do was choose my subject, underexpose by two or more stops, position the flash so the direction of the light is where I want it and push the shutter.  (If my subject is to bright or the direction of light isn’t good I move the flash and try it again.) I usually test more than one aperture depending on the background and what depth of-field works best.  Lenses that are designed for close-up photography usually produce a pleasing bokeh and don’t always need the widest aperture.

For those that don’t know what “Bokeh” means, Wikipedia’s definition is. “Bokeh is the aesthetic quality of the blur produced in out-of-focus parts of an image

For me, there really aren’t any rules for close-up garden subjects other than keep the camera steady and the center of interest sharp. And regarding the photos we can find in a snowy End-of-February (or March) garden I’ll finish this with a quote by the English novelist William Thackeray, 

“The two most engaging powers of a photograph are to make new things familiar and familiar things new.”

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