This week had one of those nice quiet evenings that are all so common here in British Columbia. By 7:30PM the sun was starting to go down giving the landscape dramatic shadows and a day’s end glowing light.
I’ll admit I was feeling pretty lazy after tearing the tile out of our shower wall so I could fix the tub taps, but there wasn’t anything interesting on the TV so I decided a short drive around my wooded neighbourhood might clear the tile dust out of my eyes and hair.
Over the many years I have been shooting with first, infrared film, and then for the past 10 plus years, a digital camera converted to only capture infrared, I have found that late afternoons give me the most impressive effects.
So, I grabbed my old IR modified Nikon D100, mounted a 24-70mm lens on it and set off along the winding roads that make up the wooded and hilly location I live in.
That old 6MP camera has served me well, I purchased it new when digital cameras were finally making images with enough quality to compete with film. I photographed weddings, scenics and everything else that I once shot with film. Then when Nikon began offering better sensors with more megapixels I sat it aside. For a while I called it my “car-trunk” camera because I just left it in the car all the time.
Then I read about infrared conversions. I had always shot black and white infrared film, but it was such a hassle. Loading and unloading the camera in the dark and even waiting till late in the evening to process it in metal tanks because I worried there might be some stray light creeping into my home photo lab. I sent that camera away and a few hundred bucks, and about a month later I had an infrared camera.
The images I get are a fun change from the colourful pictures or the sharp black and whites I am used to. Infrared is always a crowd pleaser.
I have a book by William Reedy titled, “Impact–Photography for Advertising”. It begins with the words, “To stop the eye… To set the mood… To start the sale…”
Those are great words for any photographer hoping to create visual impact with his or her photography. I think there is no doubt about it that those words ring true when one looks at the surreal effect of an infrared photograph. So I set off on that quite evening with my camera waiting on the empty seat beside me and made stop after stop to create infrared photographs of the rural neighbourhood that I know so well.
I have written about infrared photography before, so I’ll just end this by repeating myself, “Shooting infrared is always an exploration, a discovery and moves a photographer far from the usual.”