Infrared in the winter

 

My friend and photography partner, Jo McAvany, has been asking me to loan her my infrared converted camera for a while now.

Jo texted me when she went out to use it this morning.

She had hoped for a blue sky after the recent snowfall, but the sun was only peaking out slightly when she drove off along the frozen back road up into the low hills above her home at 8AM.

Infrared and the snow always give a creative photographer a lot to play with. I would have wished for a bit more sun so the infrared effect would have been stronger, but she got some neat images in spite of the overcast cloudy morning.

I was glad it was her wandering along the roadside on the -12c degree morning instead of me. I thought about how many times, in all sorts of weather I have photographed the roads around my home in the past 40 years and how it’s about time for someone else to take that up. Doing it with infrared is perfect.

I looked back over some of the articles I wrote about infrared and saw this entry,

“I grabbed my old IR modified Nikon D100, mounted a 24-70mm lens on it and set off along the winding roads that make up the wooded and hilly location I live in.”

“That old 6MP camera has served me well, I purchased it new when digital cameras were finally making images with enough quality to compete with film. I photographed weddings, scenics and everything else that I once shot with film. Then when Nikon began offering better sensors with more megapixels I sat it aside calling it my “car-trunk” camera because I just left it in the car all the time.”

“I had always shot black and white infrared film, but it was such a hassle. Loading and unloading the camera in the dark and even waiting till late in the evening to process it in metal tanks because I worried there might be some stray light creeping into my home photo lab.”

When I read about infrared conversions for digital cameras I sent that old Nikon away and about a month later for a few hundred bucks I had an infrared camera.

Jo has never shot with film. She began her photographic journey after digital took over. Now she gets to move into a different kind of light by using my IR camera.

There is not much difference between one digital and the next. Sure the sensors keep getting better and one can choose a full frame over a cropped frame, but if printing a large photograph isn’t part of the process its pretty hard to tell one camera from the next.

The images Jo got are a fun change from the colourful pictures or sharp black and white photographs she is used to. Infrared is always a crowd pleaser.

Using an infrared camera is the best way to step away from what other photographers are doing.

I have written about infrared photography many times before, so I’ll just end this by repeating myself, “Shooting infrared is always an exploration, a discovery and moves a photographer far from the usual.”

 

Camera Predictions from 1974.  

                                                        

My friend Drew, who had worked with me in a camera shop over 40 years ago stopped by my shop this week and mentioned he browsed through and old second hand store book that discussed the future of film photography.  We spent the afternoon talking about the cameras we owned back then that were the “state of the art”. 

We never could have imagined the amazing transformation photography has taken place since then.

With that in mind I dug out an article I think might be an entertaining re-read. 

In the May 1974 issue of Photo World Magazine was an article entitled “Tomorrow’s Camera: Report from Japan.”  The article by author Tony Chiu first discussed what would be the “next major technological breakthrough in Japanese-manufactured SLRs…a solid-state shutter, which would make cameras less prone to jamming,” and praised that breakthrough. One must remember that in 1974 cameras were mechanically pulling film off a roll, and in front of the shutter.

On miniaturization, he wrote that, “The manufacturers had misgivings about reducing the current dimensions of their SLRs because the decreasing weight reduced protection against shutter vibration.”

On lenses Chiu commented that, “It is conceivable that 10 years from now a compound lens (like zoom lenses have now) may weigh more than the SLR body. Although light weight, plastic lenses have long been an industry dream, there is today no major research toward their development.”

In the article he mentioned also that electronic shutter cameras “in the next decade” would be an  “expensive option available only to top-of-the-line models.”  I am amazed at the changes that have occurred since 1974.  Is it conceivable that the writer of that article would have been astonished at modern developments, and would the thought have crossed his mind that even inexpensive cameras would have electronics?

This next part is really interesting because each of the major companies was asked what their predictions for cameras of the future would be:

Canon – Suichi Ando visualized a portable camera small enough “to be carried in the pocket”, and capable of using 35mm film. Such an instrument would have a “universal lens, which can be changed by the flip of the finger from microphotography to telephotography.”

Nikon – Takateru Koakimoto said that the perfect camera would be one that excludes the chance of human error: “It will be fully automatic, perhaps with a small computer to control the exposure.”  I say that he wasn’t far off in his prediction.

Olympus – Yoshihisa Maitanni believed the ideal camera would have a universal lens and one button will wind the film, focus the picture, frame the image and make the perfect exposure.  He also thought that “Images will be projected directly on to a sensitized material,” fully edited, and enlarged.

Ricoh – Tomomasu Takeshita predicted that major advances in the film industry would reduce the film size. “Within 20 years the 16mm camera will replace today’s 35mm camera.” Such an instrument, as he saw it, would be considerably smaller and simpler – it would have a one-piece plastic lens in a partial return to the “pinhole concept” as well as an “electronic crystal” shutter.

Yashica – Nobukazu Sato’s dream was one that would not utilize film. “Just put the paper into the camera, make the exposure, pull the paper out and spray it.” Such a camera would make use of ultraviolet rays, and would also feature a universal lens and a fully automatic focusing system.  Both Ricoh and Yashica are no longer manufacturing cameras.

The writer of the article continues to say “Will we see such marvels in or lifetime?”

“Perhaps by the end of this century” a photographer’s choice could be  “For the amateur, a single lightweight, compound (today we use the word “zoom”) lens will replace three or four of today’s standard lenses. And price – as it is today (1974) – will remain just within reach at the upper end of your budget.”

Will the cameras that we think are amazing today even be around in 20 years? I wonder what the future will bring?