A continuing quest to photograph the geese hiding at Fallis pond.        

I am getting frustrated. I visited Fallis pond yesterday afternoon for another attempt at photographing the geese.

I know there are lots of geese because I can see their wily heads peaking over the hills above the pond before they quickly and stealthily disappear from sight.

This time I asked my friend Jo McAvany to go with me. Her eyes are 40 years younger than mine and I had hopes that she would see geese that I could not.

She had my Tamron 150-600mm lens mounted on her Nikon and I was trying a Sigma 150-500mm that had just come into my shop. I figured there’d be a better chance to get some photographs with two of us.

My friend Ken Tiessen says about geese, “they don’t like us” and I guess he may be right when it comes to those that nest along that pond.

We slowly drove my Honda beside the pond. It was quiet except for a few ducks playfully splashing along the far shore and there were pleasant welcoming sounds from a few Yellow-Headed black birds perched in the reeds. But no warnings or welcomes from the geese.

Both Jo and I had our super zooms at f/8 and we upped our ISO so we could follow that old photographer’s telephoto lens rule that says, “Match your shutterspeed with the longest focal length of your lens”. Jo was crouched in the passenger seat using a beanbag on the window to rest her lens. And I would slowly sneak out and hide behind the car and shoot over the roof.

As I read what I just wrote I am thinking we were absolutely ready to get some great shots. Ahh…but here is the rub. The geese have to cooperate and actually let us take their photographs.

We waited and watched. Then suddenly Jo spotted two adults with some goslings swimming just behind some reeds on the far side. (I knew I could depend on her young eyes) Those geese were partially hidden, but we pointed our cameras in their direction and released our camera’s shutters anyway.

More waiting.

Finally, they came out for a swim as if there was nothing in the world to bother them. They paraded on the pond for a short distance and then were again hidden by the thick pond reeds. But we got some photos. Not many, but some.

To finish the evening we each took a few pictures of the ducks and birds on and around the pond, then headed home to load out images on our computers.

Jo stopped at my place on her way home and we celebrated our limited success with a glass of wine while listening to the Bee Gees on my CD player.

Ok, that was not such a big deal. But I like wine and I like the Bee Gees, and we each got a couple good photos.

In my opinion it doesn’t get much better than that.

Photography after the Vancouver Camera Swap and Sale.                   

Last October I wrote, “There was a discussion. For a photographer; Granville Island rain or shine was the prefect place to wander with a camera”.

“Buildings filled with expensive artwork, a food fair, farmer’s market, artist studios and, of course the Emily Carr University of Art and Design, are all exciting places to take pictures”.

The Camera Swap and Sale was a success and we tried to sleep in the next morning. But Jo was up with the seagulls, full of energy and rearing to go to Granville Island. I was lucky she even gave me the time to eat the hotel’s complimentary breakfast.

I had told her we would spend as much time as we could doing photography on Granville Island. We had stopped for a short time on Saturday night (before Sunday’s event) so Laurie could photograph buildings across False Creek in the setting sun with his big 4X5 sheet film camera.

That night the light was dropping fast when we got there and we spent most of our time setting Laure’s camera up in different locations. There wasn’t much time for Jo to wander so she was excited to go back when the island was packed with people in the bright sun.

It rained the two last times Laurie and I were there.

Parking was tight on Sunday and it was a chore for Laurie to squeeze his truck into a parking space meant for small compact cars. But after what seemed like a lifetime he finally did, and without hitting the cars parked tightly on both sides. Hey, Laurie was a Canadian farm boy. I am sure he was driving a truck as soon as his feet could touch the gas pedal.

The place was packed with all kinds of people, and the colors were wild, inviting and perfect for photography. Seagulls posing on benches, street performers, fascinating buildings, an exotic and animated farmer’s market, the scenic Granville street bridge with snow capped mountains in the distance behind it, a cityscape of Vancouver across a boat filled waterway, and, of course, the four of us laughing and posing for each other.

For those that didn’t read my last article, “Granville Island is a peninsula and shopping district in VancouverBritish Columbia. It is located across False Creek from Downtown Vancouver. It was once an industrial manufacturing area. However, now it is mostly comprised of remodelled warehouses and has become a hotspot for tourism and entertainment. The area was named after Granville Leveson-Gower, 2nd Earl Granville.”

We wandered and lost the world as we discovered and photographed everything on that cool, clear, coastal spring day.

American photographer, Harold Feinstein, referred to as the “Unsung chronicler of Coney Island” wrote what I think is in the thoughts of many photographers.“I love this life. I feel like I am always catching my breath and saying, ‘Oh! Will you look at that?’

Photography has been my way of bearing witness to the joy I find in seeing the extraordinary in ordinary life.

You don’t look for pictures. Your pictures are looking for you.”

The spring Vancouver Camera Swap Meet.  

Spring comes so much earlier at the coast than where I live.

My friends Jo, Laurie, Habiba and I made the trek to Vancouver for the spring used camera equipment sale, and we couldn’t have asked for a more pleasant day.

The sky was clear and the rain that usually has us rushing from our truck to the building was uncharacteristically missing.

Last October Laurie and I had decided we needed help at our tables so Laurie somehow convinced his wife, Habiba, to come and I couldn’t have kept Jo away with a stick. She had wanted to come ever since reading my articles about the great time I always have.

I warned Jo and Habiba that our day would start early. We had a quick 6AM breakfast at our hotel and jumped into Laurie’s equipment packed truck to drive to the show by 7:30AM. Then rushed to unpack and have our tables ready before the Vancouver Camera Swap Meet and sale at 9AM.

Laurie and I always go though the guessing game of What will Sell? Last time anything from the 1970s was popular and digital equipment was totally ignored so we packed our tables with film cameras and old manual lenses.

I did bring several modern digital lenses, but the younger crowd showed little interest in them opting instead to go with the camera types that I had used before most of them were born.

Personally, I am relieved not to be using film anymore. I got my first DSLR back in 2001 and haven’t looked back since. However, I will admit talking with young photographers excited with film is fun. I don’t know how long this craze will last, but there are lots of people searching for and listening to records these days and like that “retro” trend I expect film will be popular for some time to come, and I will continue to search out and sell cameras from the 1960s and 1970s.

As usual the camera sale was packed and I saw friends from years past and, as always, made new friends.

Talking with other photographers is so much fun.

This was Jo’s first camera sale. I had talked about what we’d be doing and what the sale would be like, but I knew she had no idea of the all-day frenzy.

The Vancouver Camera swap meet is non-stop fun from 7:30AM to 4PM. And although Jo is a great photographer and quick study, the cameras that filled the table were not what she had ever used. But a camera is a camera and she dove in head first talking with and showing cameras to the shoulder-to-shoulder crowd. Way to go Jo.

I do hope she won’t be upset with me for including a photo of her at our table just minutes before the things got going.

In my last article I asked. “What keeps me coming back year after year?” Then answered “The people, of course”.   I also wrote that this camera event has, “ Antique, vintage, digital, and everything else for photography, new and used.

Looking at, touching and discussing some precious piece of camera equipment with someone you just met is darn fun, almost as much fun as making pictures.

The Vancouver camera show and sale is over for now, but Jo, Laurie and I are already talking about returning for the October show.

Those that read my last article about the camera sale must forgive me for again using a quote by the famous Canadian singer Celine Dion again, but is just seems to fit so well.

“I don’t know if the camera likes me, but I do like the camera”.

 

 

 

Black and White Photography 

chrysanthemum

Red Crown Gas

Fat Cat on a warm spring morning

Granville street bridge

Thompson River by Jo McAvany

Country street

Spring is on the way and with it is blossoming colour.

Only a week ago the walk from the driveway to my home was frozen with snow still clinging to the rocks that hold the garden back. However, yesterday morning the walk was almost dry with grass beginning to frame the border.

One would think that the talk from photographers stopping by my shop would be about spring colours. Ahh…but there was not even a word about how nice it would be to photograph all that springing colour.

The first phone call of the morning was from a frustrated student that needed to complete an assignment asking me if I sold Ilford black and white film. I don’t.

A bit later a fellow I hadn’t seen for a while stopped to say hello and we talked about shooting infrared. He was hoping I could help him find an infrared camera.

I had just this past week missed out on a good deal on a converted camera, but the spring used camera sale will be at the end of next month in Vancouver and I suggested he join me there.

That conversation continued when he showed me some black and white infrared photographs that he had found online.

Later that afternoon my friend Drew showed up just as another photographer and I were admiring some of the excellent images made by members of a Facebook black and white photography group.

The three of us looked at pictures and talked about B&W until closing time.

One would think with the ease that modern DSLRs make colourful photographs that there would be little serious interest in black and white. After all, to make a good B&W image one should use some kind of editing program that allows adjustment of the different colour tonality.

I am sure the numbers of photographers that actually produce B&W are few compared to colour, but there are many avid groups on Facebook and Flickr that are dedicated to what has become to be called “monochrome” photography.

I pick and choose which of my images gets converted. Sometimes the subject deserves to be shown as B&W. And when I mentioned to my close friend and photo-partner, Jo McAvany that I was going to write about black and white she insisted that I stop by to get a B&W photo of the river she had taken earlier in the day.

I still remember the time when colour was almost non-existent. Once in a while someone would have the money and shoot a roll of colour, but most of the families in the neighbourhood I grew up in only could afford black and white film. Some people didn’t like colour pictures. I remember my aunt critically looking at some pictures at a family gathering that they “just didn’t look natural”. And as I have written before, when I first got into photography I preferred B&W.

I strongly believe a successful black and white photograph depends on its ability to communicate. It doesn’t depend on eye-catching colours for its’ visual presentation. Those B&W images that stand out combine attention to light, shadow, composition and perspective.

Ted Grant, widely regarded as the father of Canadian photojournalism wrote,

“When you photograph people in color, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!”

I think that black and white photography is far from being left behind, and in my opinion, with the current processing software, updates in high quality printers, and printing papers black and white image-making will continue to be an option for many serious photographers.

 

 

 

 

Photography is an art of finding something interesting.  

Gosh, the first day of spring (has passed) and the temperature is climbing.

I stood out on my porch looking at the melting snow along the walkway to the driveway thinking that winter seems to have come and gone in a rush this year.

It was a lazy day for me and I really didn’t want to do anything except have another cup of coffee and maybe snooze on my chair listening to music. However, I do like pointing my camera at things and this would probably be my last chance to photograph things poking out of the snow. And if this year is like most I expect the cool spring rains will be pounding on my roof in short order.

So, as hard as it was I ignored the waiting coffee grinder and went off get my camera.

My latest acquisition is a 300mm lens. I like that focal length and have had several since the first Pentax I owned back in the 1970s. This latest lens came with a 1.4 telextender that gave me a 450mm of reach.

I have a longer 150-600mm lens, but the 300mm takes up less room in a bag or on my car’s seat, it focuses very fast and is just darned fun to use.

Although I sometimes photograph wide landscape vistas my preference is tight close shots. It’s the intimate, close cropped “parts” of a scenic that catch my eye. So after making sure I had an empty memory card and charged battery I mounted the 300mm lens on my camera and set off to see if I could make some interesting photographs of things resting on, or poking out of the snow.

By the time I drove down the road the sun was high in a bright blue cloudless sky. My choice was to head up into the hills or down to the river. But I wondered if the small pond was still frozen over so I went up.

The pond was frozen without a footprint or even a lonely bird in the tall lifeless reeds that circle the pond. I was disappointed, but as it has for the past 40 years, this rural place where I live, always offers something that catches my eye. The long lens was the perfect tool to isolate and exclude as I focused on the remains of a tree poking out of the snow. That broken and rotted stump in a desert of white snow was crossed with neat long thin shadows that made up for the boring pond.

I stopped to photograph what was left of an old log building that once might have been for storage or maybe living quarters for some ranch hand. When I first drove down what was then a bumpy dirt road many years ago it still had a glass window and roof, but now only the decaying log walls remained.

I drove around getting out of the car and trudging through the wet snow trying to photograph subjects I have photographed before in a new way.

I often wonder what the people in the cars think when they, once again as they have many times before, pass me pointing my camera at some subject. Most are not photographers, making the things I am photographing of little interest to them.

It always seems new to me. A bit familiar for sure, but this was the first time I photographed anything in my neighbourhood with this particular lens.

So yes, new.

I know I’ll be back photographing everything again when it rains or maybe when the grass begins to grow or when there are geese in the pond or anytime I am in the mood.

I know I have included this quote from American photographer Elliott Erwitt before but it just seems to fit.

“To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.”

Camera Predictions from 1974.  

                                                        

My friend Drew, who had worked with me in a camera shop over 40 years ago stopped by my shop this week and mentioned he browsed through and old second hand store book that discussed the future of film photography.  We spent the afternoon talking about the cameras we owned back then that were the “state of the art”. 

We never could have imagined the amazing transformation photography has taken place since then.

With that in mind I dug out an article I think might be an entertaining re-read. 

In the May 1974 issue of Photo World Magazine was an article entitled “Tomorrow’s Camera: Report from Japan.”  The article by author Tony Chiu first discussed what would be the “next major technological breakthrough in Japanese-manufactured SLRs…a solid-state shutter, which would make cameras less prone to jamming,” and praised that breakthrough. One must remember that in 1974 cameras were mechanically pulling film off a roll, and in front of the shutter.

On miniaturization, he wrote that, “The manufacturers had misgivings about reducing the current dimensions of their SLRs because the decreasing weight reduced protection against shutter vibration.”

On lenses Chiu commented that, “It is conceivable that 10 years from now a compound lens (like zoom lenses have now) may weigh more than the SLR body. Although light weight, plastic lenses have long been an industry dream, there is today no major research toward their development.”

In the article he mentioned also that electronic shutter cameras “in the next decade” would be an  “expensive option available only to top-of-the-line models.”  I am amazed at the changes that have occurred since 1974.  Is it conceivable that the writer of that article would have been astonished at modern developments, and would the thought have crossed his mind that even inexpensive cameras would have electronics?

This next part is really interesting because each of the major companies was asked what their predictions for cameras of the future would be:

Canon – Suichi Ando visualized a portable camera small enough “to be carried in the pocket”, and capable of using 35mm film. Such an instrument would have a “universal lens, which can be changed by the flip of the finger from microphotography to telephotography.”

Nikon – Takateru Koakimoto said that the perfect camera would be one that excludes the chance of human error: “It will be fully automatic, perhaps with a small computer to control the exposure.”  I say that he wasn’t far off in his prediction.

Olympus – Yoshihisa Maitanni believed the ideal camera would have a universal lens and one button will wind the film, focus the picture, frame the image and make the perfect exposure.  He also thought that “Images will be projected directly on to a sensitized material,” fully edited, and enlarged.

Ricoh – Tomomasu Takeshita predicted that major advances in the film industry would reduce the film size. “Within 20 years the 16mm camera will replace today’s 35mm camera.” Such an instrument, as he saw it, would be considerably smaller and simpler – it would have a one-piece plastic lens in a partial return to the “pinhole concept” as well as an “electronic crystal” shutter.

Yashica – Nobukazu Sato’s dream was one that would not utilize film. “Just put the paper into the camera, make the exposure, pull the paper out and spray it.” Such a camera would make use of ultraviolet rays, and would also feature a universal lens and a fully automatic focusing system.  Both Ricoh and Yashica are no longer manufacturing cameras.

The writer of the article continues to say “Will we see such marvels in or lifetime?”

“Perhaps by the end of this century” a photographer’s choice could be  “For the amateur, a single lightweight, compound (today we use the word “zoom”) lens will replace three or four of today’s standard lenses. And price – as it is today (1974) – will remain just within reach at the upper end of your budget.”

Will the cameras that we think are amazing today even be around in 20 years? I wonder what the future will bring?

Photography on an overcast day

I have been trying to get outside to wander in the snow the past week with my camera, but everything kept getting in the way. So when Jo told me she had to take her daughter to a doctor appointment I asked her to drop me off at my favourite wandering place, Chase Creek Falls.

I figured that would give me at least an hour to take some photos and I was hoping to be alone in that snowy canyon on the cold, overcast Monday morning.

I like storms and I like the mood one can get in a photograph on an overcast day.

Jo dropped me off along the road and I walked down along the well-worn path through the snow. I picked a good day. From the looks of all the trodden snow, Sunday must have been pretty active.

Stopping along the creek to take a long exposure of a rock glowing golden in the cold water I thought about why I like digital cameras and all the photographic creativity that goes along with modern technology.

I continually meet people that assume someone my age would still be using film. Gosh, I could fill page writing about why I don’t bother photographing anything with a film camera. At that moment as I mounted my camera on my tripod to photograph that glowing gold rock I thought about how hard it used to be to make pictures on overcast days and was glad for the modern equipment I have.

I mounted my 24-70mm lens on my camera and selected an ISO of 1600. Then set my shutterspeed to eight seconds, chose an aperture of f/11 and with the camera’s self-timer activated, I pushed the shutter release.

I refocused on a couple different rocks in the creek besides the golden centre of interest to make sure my depth of field would cover everything in my viewfinder. Then I released the shutter a few time and moved on down the stream.

Sunny days are such a struggle for a photographer wanting to photograph a waterfall.

Sure one can get a pretty, bright landscape, but I like to have contrast in the water when I use a long exposure, so overcast is great. And on this day I wanted to capture the cold winter mood and if I really needed to highlight a particular feature like a rock or log or foliage I’d just do that in later in post.

The Chase Falls is always a perfect subject. All I had to do was poke around in the snow with my tripod to make sure there weren’t any spaces between the rocks or soft spots in the ice as I moved around photographing the falls from different locations, eventually I sat on a bare rock to listen for a while and look at the monochromatic January landscape.

I am fortunate not to have to drive and hike hours to enjoy such a photogenic location. Now I am waiting for more snow so I can collect winter photographs in the garden that hides my home from the road. Today there is a light covering of snow, but it’s been so warm that the snow isn’t clinging to the plants.

Ah, but its January and there’s a few more months of snow to come and more winter photography.