The Lens – The Most Important Part of the Camera

Lenses

The Lens – The Most Important Part of the Camera

Ask any experienced photographer whether to buy a new camera or a new lens and the answer will usually be, “it’s all about the glass,” or, “a good lens is more important than a good camera.”

A bad lens on a good camera will still make poor images, but a good lens on a poor or average camera will most likely give the photographer good results.

I listened to several friends talking over coffee about reviews they had read about the latest camera offering from Canon. The discussion began with questions like, “why does a photographer that doesn’t shoot sports need a camera with 7 or 8 frames a second” and “I really don’t spend much time shooting in low light situations, so why would I spend extra money on a camera because it is capable of a high ISO.” However, as expected, it wasn’t long before the talk easily turned to an exchange of views on lenses. Remember, because after all, “it’s all about the glass.”

The conversation easily moved from a difference of opinion between those that preferred prime (fixed focal length) lenses, and those, like me, that chose multi-focal length (zoom) lenses. We talked about the importance of wide angle and, of course, wide aperture lenses.

Just because you can change the lens doesn’t mean you have to, but I don’t know many photographers that are that sensible. Mostly we are willing to change lenses as soon as we have extra cash in our pockets, more emotional and impulsive than sensible.

I know very few are content with the short zoom that came as a package with the camera any more than they are with the tires the manufacturer installed on their car. Yes, the lenses, just like the tires aren’t high quality, but that’s not my point. What I mean is that changing lenses is like changing the visual personality of the image, and most photographers I know are engaged in, what I’ll call, a search for a perspective that fits their personality and personal vision.

The camera might capture some subject’s personality, but the lens, in my opinion, says more about the photographer than the subject.

Several photographers standing on a picturesque hillside using the same camera and lens will probably produce much the same image, but give them each a different lens and the resulting images will be diverse, distinct, and individual.

Yes, it is all about the glass, and there is such a pleasing and very exciting diversity of lenses out there waiting for each photographer to choose, discard, and choose again as they explore and create within this stimulating medium of photography.

As I wrote those words I wondered if there were others that I could use that were more applicable than stimulating. I could have used, intoxicating, invigorating, or even compelling. They all fit and, I think, could apply to some of the feelings I could see and hear from those photographers lounging around my shop drinking warm coffee on a cold November day as they talked about the lenses they used and would like to use.

A new camera is a lot of fun, but it really is “all about the glass.

I appreciate any comments. Thanks, John

My website is at www.enmanscamera.com

Photographing Eagle’s Nest – An Adventure

    

Generally, when looking for eagles viewers are peering upwards, and most photographs of eagles are of eagles flying high or perched overhead. So, thinking of all that, it was with excitement that my friend, Walter, and I began a somewhat hazardous climb up a steep, loose, shale-covered hill that would allow us to photograph an eagle’s nest from above.  He had found and climbed to this nest late in the spring about four years ago, but that time he only made a couple of photographic climbs because he thought he might be bothering the eagles.  I was able to photograph it only once and what a great day that was.

Last week Walter and I made the half-hour climb again and we found a position on a ledge where we could watch and photograph the eagles from a distance slightly further away than where we were four years ago.  This year there was one fluffy chick in the nest and although I am sure they were very aware of our presence, with the added distance between them and us, they didn’t seem to be bothered.

Walter brought his Sigma120-400mm and I had my wife’s 150-500mm. Both are big and heavy lenses, but because we followed the old photographers adage, “always select a shutter speed number that matches the focal length” neither of us had a problem handholding our hefty lenses. I know fixed-focal length lenses tend to focus faster and are usually sharper, but for this excursion we both wanted the versatility of multi-focal length (zoom) lenses.

The only difficulty we had was the climb. The shale was loose and we caused small avalanches as we crossed and slipped over the face of the hill. I stepped wide and constantly leaned into the hill and had to watch where I placed my feet seeking stable footing. And looking about, or straightening up, only increased the probability that one would end up bruised some distance down the steep hill with damaged equipment.

When we finally reached our photography perches we sat quietly for a while as our trip up was noisy and we expected we might have agitated the eagles.  After a time we moved to where we each could see the family of eagles, then pressing our eyes against our viewfinders we both began photographing them.

The day was clear and bright, so a sky shot, although dramatic, was always a silhouette. I wanted to show the eagles on the nest, to include parents and the chick, so most of my shots were level or angled downwards. The eagles would sit at the nest for long periods, and then seemingly take turns flying off to perform acrobatics high in the windy sky. Too high to photograph, but amazing to watch all the same and when they did zoom back to the nest I would start releasing the shutter all the time wondering if any of my captures would be usable.

Bird Forum, www.birdforum.net, claims to be the largest birding community, dedicated to wild birds and birding. The advice on photographing birds, by one of the moderators is, “A bird will pretty much let you know if they feel threatened by you so you should let them be your guide… The birds come first. Sometimes your close proximity to a nest can cause the parents to abandon the nest,… close proximity to a nest will only invite other predators to the nest… The best way to photograph birds is to make yourself stationary rather than chase them down. Stay put, you would be amazed at just how close the birds will come to you once they are comfortable”.

It was a great day for both of us; outdoors, fresh air, sun, wildlife, and great pictures to help us remember.  The eagle chick should be full grown by nine weeks, and now that we know we aren’t bothering them we’ll plan another visit shortly.

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my website www.enmanscamera.com