Sometimes it is necessary for me to get away from doing the usual things. My time as a photographer is spent being precise. I meter for the light and shadow, striving for the best possible exposure, and not much is left to chance.
On the Easter weekend I spent a day photographing a family Christening. My job was to take a creative approach to photographing that religious occasion and telling the family’s story. At an event such as a Christening nothing waits for the photographer and there is no time to correct omissions or mistakes.
The main rule for me was to keep out of everyone’s way, not to become a focal point of attention, and never to miss any thing that happens.
The next morning as I sat at my computer working on the post-production photo editing of the Christening my wife mentioned she would like to finish off the roll of film she had been saving for a sunny day. It didn’t take much convincing to ignore the day’s “to do” list and as I looked out at the clear blue sky I realized I needed something to take off the stress I had been feeling.
There is nothing quite like infrared photography. It is always an exploration when I use the well-worn Nikon D100 that I had modified many years ago to only “see” infrared light.
Vegetation appears white or near white. Black surfaces can appear gray or almost white depending on the angle of reflected light, and if photographed from the right direction the sky becomes black. The bluer the sky, the more the chance there is for an unworldly, surreal effect. And white surfaces can glow with a brightness that illuminates the sky.
I have written about infrared before, but for those that are new to this subject here is the gist of it.
Digital camera sensors are as sensitive to infrared light as to visible light. In order to stop infrared light from contaminating images manufacturers place what they call “a hot filter” in front of the sensor to block the infrared part of the spectrum and still allow the visible light to pass through. My infrared modified D100 has had that filter removed and replaced with a custom filter that allows for infrared only.
My wife wanted to visit a marshy area not far from our home that on wet years fills up with water, and is annually visited by birds, ducks, and geese. But this year’s early dry spring has not given the marsh much water, and when I walked up to the dam two ducks quacked loudly and flew away, and that was the only wildlife sighting for the day.
The back roads always have something to photograph, so we moved on and chose our subjects depending on the light. Linda was shooting with her old medium format 1950’s Ikoflex and was looking for interesting features like fallen trees and rock formations. That particular old film camera doesn’t have an automatic mode, or an in camera meter and requires a hand held light meter. I am sure the few passers by wondered at a woman standing roadside with a boxy thing hanging from her neck while she peered at something in her outstretched hand.
I just explored, and unlike Linda’s limited, 12 exposure roll of film, I had an almost endless supply of digital choice, and besides, infrared changes the way we see things. So I pointed my camera at anything that caught my eye.
I began this discussion with the words, “I spend my time being precise.” And “Not much is left to chance.” However, not so much with infrared. I only use the meter as a not-so-precise guide, and don’t worry about much else. I do try for interesting angles of the subjects I photograph, but sometimes I am in for a surprise when I bring the images up on my monitor.
Shooting infrared is always an exploration, a discovery and moves a photographer far from the usual.
I look forward to all comments. Thanks, John