Photography trip to Whatcom Falls Park.    

 

When most of us that live in British Columbia think of Bellingham Washington it’s usually about the shopping. Bellingham is the closest major US city that we can drive to for better prices on just about everything. Filling up our cars, buying clothing, food and dairy products to name a few items are still less expensive than here in Canada.

Some years ago I stopped overnight on my way back from my annual sojourn to the Anacortes Shipwreck festival and while out to supper I noticed a flyer with the words “Things to do in Bellingham”. Browsing through I noticed it mentioned a place called Whatcom Falls Park.

There are lots of waterfalls in British Columbia so that shouldn’t have been a big deal. However, what grabbed my attention was a picture of a stone bridge with a waterfall behind it. I have always been intrigued with the many stone structures built in the 1930s by the WPA (Work Projects Administration). I remember my father pointing out stone bridges and walls along mountain highways and talking about how the government employed men needing work during the Great Depression.

I have wanted to go back to Bellingham for an overnighter so I could have plenty of time to photograph that wonderful stone bridge and the park’s waterfalls. When I mentioned to my friend Jo that I wanted to go there this summer her excited response “Lets go” was all I needed.

I booked two nights at a hotel that included breakfast and we headed off to cross the border to Bellingham to photograph Whatcom Park and the city’s waterfront.

We had a lazy morning and arrived around 9:30 to an almost empty park and were so excited that we ran down the wide dirt walkway to the bridge. Gosh, what a beautiful place.

The park was only a fifteen-minute drive from our hotel and we were surprised to find that the stone bridge and falls that were only a couple minutes walk from the parking lot.

We photographed from the bridge then climbed down the well-worn trails under the bridge so we could take photographs at the base of the falls.

Creatively photographing waterfalls is pretty easy and the long exposures that are popular with water are no big deal.   All one needs is a good camera, a sturdy tripod, and some ND filters. I shot with my trusty 24-70mm and Jo used both a 28-300mm and 14-24mm.

There were two waterfalls, the large and impressive one near the stone bridge and a smaller more intimate one just up the creek a bit. We photographed both of them trying different exposures and filters.

My favourites are square filters that I hold in front of the lens as I make the time exposure. I prefer to hold the filter and slightly shake it up and down so any marks on them won’t be visible.

We stayed at the park way past noon and sat in my car talking for a while before leaving to check out the coast.

What a fun way to spend a weekend.

The best word I could use to describe how that colourful park seemed is “magical”.

I didn’t want to disturb anything and even though there were sounds of happy people coming from all around, everything became quiet when I looked through my camera.

I found this quote by American photographer Diane Arbus that perfectly describes the way Jo and I felt as we each pushed the shutter.

“Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.”

Street Style Photography at the Fall Fair

Royalty and Attendants

Country singers

Cowboy in slicker

Mobile staff

Wooden Horse listening

Waiting against the wall

Clydsdales

Umbrella guy

Your cartoon

First Aid

Monster Cones

“Every year when summer comes around

They stretch a banner ‘cross the main street in town

You can feel somethin’s happenin’ in the air…”

“County fair, county fair,

Everybody in town’ll be there

So come on, hey we’re goin’ down there…”

Bruce Springsteen – Country Fair

 

Where I live in British Columbia, the months of August and September see communities’ large and small hosting end of summer fairs. This year, same as last, I drove north to the small town of Barriere, parked my car, gave the smiling lady at the gate a couple bucks and strolled into the excitement of the Barriere Fall Fair packed with exhibits of local produce, poultry, livestock, all sorts of arts and crafts, lots of outdoor shows that included a rodeo, trick riders, several different horse competitions, an action packed midway with amusement rides, challenges for the children like wall climbing, and even a motorized bull that quickly dislodged even the most athletic of riders. There were all sorts of people selling cowboy hats, clothing, jewelry and too much more to list here. And one lady almost accosted me, demanding I try out her boot wax and leather preservative. (I will say my boots never looked better.)

Oh, and the food. The inviting and punishing, yep, that’s the word I am going to use for the smell of all kinds of mouthwatering foods that one confronts as far away as the entrance gate. Enticing everyone to make the next stop at one of the food venders.

The picture making possibilities immediately assaults those of us with cameras. What to photograph? Well, it’s all exciting.

Last year I spent most of my time photographing the rodeo, but after discussions and encouragement from the many photographers I have met online that excel in street photography, I decided to dedicate my time this year to photographing the people I saw wandering or performing in the midway.

I have written before about my admiration of those that are proficient at wandering city streets creating stories with the way they photograph the people. Readers will recall I discussed my frustration last summer in Anacortes, Washington when I tried using a DSLR with a big 24-70mm lens mounted on it. People saw me coming with that big package and when I got close enough to grab a picture they almost leaned towards me to see what I was photographing. No chance of being inconspicuous or assuming stealth mode.

This time I brought a cropped frame DSLR and 105mm lens and extended my camera strap so I could point and shoot from the hip as I released the shutter. I think I can hear the laughing coming from some of those more skilled and experienced at this type of photography than I. Yep, I had little control over what I was aiming at. I did get some viewable shots, but I also got lots of images that showed the top of people’s heads and a great quantity of sky. How did those gunslingers in the old west hit their target?

Maybe I need to put some beer cans on a fence rail and practice like I saw actor Alan Ladd do in a movie I watched last week. Or better yet, I have a friend with one of those exciting little Fuji 100 cameras. I wonder if I took beer cans (full) over to his house instead of putting them on the fence, I could convince, or bribe, him to lend that camera to me next time I want to try.

I searched online for some street photography tips. Here are a few I could find.

  1. Use a wide-angle lens.
  2. Get close.
  3. Look for juxtaposition.
  4. Focus on the essential.
  5. Look for the light and shadows
  6. Look at the foreground and the background.
  7. Tell a story.

Street photography, whether at an event like a country fair, in a bustling city, or on some quiet back lane, is about photographing society around us. Some photographers’ shoot for the challenge, and some wander the city as a release of stress from everyday existence, and others because of their need to make some statement about the world in which they live. I wonder at the “Decisive Moment” of prolific French photographer Henri Cartier-Bresson, or the journalistic style of Leica toting Robert Doisneau, or the harsh images of marginalized people by Diane Arbus. They, and many others have left us with their own styles of street photography that affect each viewer on an emotional level.

I look forward to any comments. Thanks, John