Tag Archives: black and white conversion

Social distancing           

Posted by enmanscamera on

 

I looked up some definitions. Distance is, “interval, space, span, gap, length, width, breadth, depth; range, reach, remoteness, closeness.” And Social is, “community, collective, group, general, popular, civil, public.”

Ok, I am fine with those definitions.   Most Governments are demanding that we practice “Social Distancing”.   So when my friend Jo and I were exchanging texts about some close to home areas we wanted to photograph now that the weather is changing we had no problem figuring out how we could both stay safe and do photography together while still abiding by the current rules.

We would each drive our own car. So for the past two days we have enjoyed going out to the same nearby locations at the same time. Gosh, other than being in different vehicles not much has changed.

Stop the car because the is something good to photograph, ignoring everything but the subject, jump out of the car camera in hand, rush to a good personal vantage point and excitedly talk loud. Everything is the same as usual. Landscape photography is not a shoulder-to-shoulder activity and keeping to the “six-foot-distance” rule isn’t even a conscious action. Its what we usually do.

We slowly drove down the dusty rural road. Our first stop was to photograph a church built in the 1800’s. Then in just a short distance we walked through a large culvert that passed under the highway to the river. I used my flash to photograph Jo at the other end of the underpass, and then went down to the river.

This is a good time to wander with a camera along the river. The spring runoff hasn’t started yet so there are lots of photo opportunities because the river is so low.

Jo brought two cameras. One with a 70-200mm attached and the other was the old infrared converted Nikon D100 I am no longer using. She had a 14-24mm on that.

Until the frozen pond thaws so I can again attempt to photograph the ever-illusive geese nesting there I have been using the infrared converted camera I got to replace that old D100. On my new camera I had a 20-40mm lens. I like using a wide-angle lens when I shoot infrared. I have tried longer focal lengths, but the exaggeration I can get with a wide-angle lens compliments the creative look of infrared.

The first day of spring has passed. Where I live there still is snow in the shade, but where the sunshine’s the plants are really starting to bud.

When the trees on the mountain-side start to grow leaves they will show up as a stronger yellow in my colour infrared images and whiter in the B&W infrared images. However, it is the growing garden right out my front door that will get my photographic attention. Soon I’ll be out with a black backdrop and an off-camera flash setting up with a macro lens on my camera to get creative with the first spring blooms.

I sometimes wonder at my continuing excitement with photography after all these years. It has been, as my friend Jo says, “A long story”.

Here is a quote I found by Peruvian photographer Mario Testino,

“My favourite words are possibilities, opportunities and curiosity. If you are curious, you create opportunities, and if you open the doors, you create possibilities.”

 

Wandering my Neighborhood with Infrared

Posted by enmanscamera on

Pritchard store infrared  Crossing infrared Riverside infrared Bridge infrared Wolf ranch infrared Tree & fence infrared

Spring is here with cool nights and warm days. The snow has finally disappeared in my neighborhood, except on the mountaintops that surround the river valley in which I live, and everything is starting to get green.

I had decided this should be the week to wander the roads near my home. I selected my camera that I had converted to infrared some years ago, attached a 24-120mm lens, and headed out.  Over the past 37 years I have photographed everything in my nearby landscape again and again, and I won’t try to guess at the number of different cameras, films, and film formats and, of course digital cameras, I have used.

My goal this time (I always like to have some type of goal or plan), was to wait for a cloudy day and make use of the low, dramatic, and directional light at day’s end. I wanted to use my infrared camera as I have many times in the past.

Using infrared is always fun. The resulting images are always different and interesting. Before the days when I had invested in an infrared camera conversion, I had used Kodak infrared film. There wasn’t an exact ISO rating or even very consistent settings for that film. One would make test exposures for the filter density one used and the developing times. Good results would finally be obtained, but always after exposing several rolls of that expensive infrared film.

Nowadays my camera no longer requires a specialized infrared filter, and I don’t have to spend time in a lightless room developing the film. Yes, there was a cost to having my DSLR camera modified so that the image sensor is only sensitive to infrared light, but it has since paid back generously, because it is well worth the expense to be able to create unique images.

Most experts say infrared radiation peaks around noon, however, in my experience morning or evening is better, and the accompanying long shadows makes great pictures in infrared. So I waited a bit after 5pm before stepping out.

I went along the road searching out features I knew well, and that I thought might be perfect in the late afternoon light. My main interest was the sky. I wanted the very dark, hazy skies one obtains with infrared that are so dramatic, compared to those with visible light. As I stood alongside the road I thought about how the pictures I was making would be nice as colour images, but infrared and the black and white conversion I intended to apply would create more impressive, or as one writer called them, “otherworldly” scenes.

All my images from that day received some post-production using PhotoShop and Niksoftware. I shoot RAW so the original files from my camera are red and white. I convert each photograph to black and white, increase the contrast, and sharpen and strengthen the highlights and shadows. The final vision isn’t supposed to be a pretty, scenic document as much as it is my personal artistic vision.

It is possible for photographers who want “infrared-like” pictures to manipulate their normal captures using Photoshop, or any of several other programs that emulate the effects of infrared. However, those photographers like me that are interested in something different can find an older DSLR and send it out to be modified. Since I had my camera modified, there are several companies that have appeared, like www.lifepixel.com. These folks’ webpage begins with the question, “Are you tired of shooting the same stuff everyone else is shooting?”   So I suggest, if you would like to do something completely different, try infrared like me.

I look forward to your comments, John

My website is at www.enmanscamera.com