Social distancing           

 

I looked up some definitions. Distance is, “interval, space, span, gap, length, width, breadth, depth; range, reach, remoteness, closeness.” And Social is, “community, collective, group, general, popular, civil, public.”

Ok, I am fine with those definitions.   Most Governments are demanding that we practice “Social Distancing”.   So when my friend Jo and I were exchanging texts about some close to home areas we wanted to photograph now that the weather is changing we had no problem figuring out how we could both stay safe and do photography together while still abiding by the current rules.

We would each drive our own car. So for the past two days we have enjoyed going out to the same nearby locations at the same time. Gosh, other than being in different vehicles not much has changed.

Stop the car because the is something good to photograph, ignoring everything but the subject, jump out of the car camera in hand, rush to a good personal vantage point and excitedly talk loud. Everything is the same as usual. Landscape photography is not a shoulder-to-shoulder activity and keeping to the “six-foot-distance” rule isn’t even a conscious action. Its what we usually do.

We slowly drove down the dusty rural road. Our first stop was to photograph a church built in the 1800’s. Then in just a short distance we walked through a large culvert that passed under the highway to the river. I used my flash to photograph Jo at the other end of the underpass, and then went down to the river.

This is a good time to wander with a camera along the river. The spring runoff hasn’t started yet so there are lots of photo opportunities because the river is so low.

Jo brought two cameras. One with a 70-200mm attached and the other was the old infrared converted Nikon D100 I am no longer using. She had a 14-24mm on that.

Until the frozen pond thaws so I can again attempt to photograph the ever-illusive geese nesting there I have been using the infrared converted camera I got to replace that old D100. On my new camera I had a 20-40mm lens. I like using a wide-angle lens when I shoot infrared. I have tried longer focal lengths, but the exaggeration I can get with a wide-angle lens compliments the creative look of infrared.

The first day of spring has passed. Where I live there still is snow in the shade, but where the sunshine’s the plants are really starting to bud.

When the trees on the mountain-side start to grow leaves they will show up as a stronger yellow in my colour infrared images and whiter in the B&W infrared images. However, it is the growing garden right out my front door that will get my photographic attention. Soon I’ll be out with a black backdrop and an off-camera flash setting up with a macro lens on my camera to get creative with the first spring blooms.

I sometimes wonder at my continuing excitement with photography after all these years. It has been, as my friend Jo says, “A long story”.

Here is a quote I found by Peruvian photographer Mario Testino,

“My favourite words are possibilities, opportunities and curiosity. If you are curious, you create opportunities, and if you open the doors, you create possibilities.”

 

A spring drive with my infrared camera.

The bright sunny spring day was perfect for infrared photography.

I hadn’t used my old camera that I had converted to infrared for quite a while. The last time it was used was by my friend Jo last February. The images Jo made in on that winter day were a fun change for her from the colourful photographs she was used to with her big 36mp Nikon.

Infrared is always a crowd pleaser and using an infrared camera is the best way to step away from what other photographers are doing.

After my failures at finding and photographing those tricky geese I figured it was time to get that IR camera out. I charged the batteries, set the white balance, made sure I had an empty memory card, mounted my ever-so-sharp Sigma 20-40mm lens on it, finished my cup of coffee and finally sat it on the seat beside me as I drove off to see what there was waiting for me to photograph in the next few hours.

I drove the rural roads around my home for a while, and then decided to check out the waterfall a bit down the highway.

There was lots of fast spring runoff water coming over the falls, but the little canyon was still in too much shade. To get dramatic infrared photographs of the falls I prefer a wide shot that includes vegetation. But on this day the shade made my unaltered infrared image mostly brown with only a few slashes of bright light drifting down to make some features blue. Without strong light the there won’t be bright white foliage and the final image wouldn’t be much different than a normal black and white picture. So I gave up and crossed through the small town of Chase to the lakeside.

The lakeside was in bright morning sun with blue sky and was perfect for infrared. There weren’t many people and the small grassy beach park was empty.

Infrared creates a completely different feeling. I have written before that using a modified camera is an exploration that moves a photographer far from the usual camera image and the final effect is quite unworldly. The bluer the sky, the greater the likelihood of that unworldly effect; and things that are white or have been turned white (like trees) can glow with an ethereal brightness.

My camera produces images that are limited it colour range. Unlike many modern infrared conversions that give many dramatic colours, the original pictures from my old 6mp camera are mostly shades of brown and blue. By altering the colour channels I can get a few different colours, but much of the time I prefer B&W.

At his writing I am thinking it might be time to see what Lifepixel.com has for sale with a newer, higher megapixel camera.

Black and white makes me think about the subject first and then the light, or how a subject looks in a particular light. Infrared, on the other hand, makes me think about the light first and then includes the subject. Of course the subject, and how it is composed and framed is important, but some things don’t look very different (depending on how the IR light is absorbed) than a colour image converted to black and white. With my old camera I must be thinking about the light first and then choose subjects that I think will look like they are photographed with infrared.

To me using an IR camera is always an exploration and certainly a discovery. And the best think about using infrared is how it allows me to create photographs “that are far from the usual.”