This past weekend I lead another workshop for photographers about using off-camera flash when photographing portraits outside in bright light. As with past lighting workshops my goal was to help participants understand how to use flash in different environments during daylight, and gain techniques that I hoped would help them transform the harsh daylight of outdoor portraits into beautiful light.
I was fortunate to have a great rural location where participants began in the morning photographing our model using a speedlight and a diffusion panel in a bright meadow, then moved to a large, well lit, open barn with two-flash lighting using a shoot-through umbrella and softbox until lunchtime.
After a healthy lunch provided by Versatile Studio we set up by a small tree covered stream, getting both our feet and our model’s feet wet. We finally finished the day photographing the model posing beside an old 1970s Cadillac in a nearby field.
I enjoy guiding serious photographers through their first attempts to use flash as a tool to create better photos, I want them to think of the flash being more than an uncontrollable device perched on top of the camera when it’s too dark in a room to take the photo.
I have been offering off-camera flash courses since the early 1980’s, and still believe they are an important segment of a portrait photographer’s education.
So much has changed in photography, and yet here I am 35 years later, still helping photographers learn how to use off-camera flash. Modern cameras are amazing with sensors that are so much better at capturing light than film was. But just as 30 years ago, serious photographers realize how much more flattering off-camera flash is on someone’s face than just harsh daylight.
Off-camera flash gives a photographer the ability to choose the best direction of light.
There are times when I am forced to photograph a person without using a flash. I think “forced” is the best word, because I will always use flash if I can, and as those that have taken my advice have learned, in most instances using flash for portrait photography indoors or outdoors is better than not using a flash.
Those attending last weekend’s workshop began to get comfortable using flash.
David Hobby, lighting guru and founder of the blog, http://strobist.blogspot.ca, wrote,
“Learning how to light is incremental, creative and fun. There is almost no math involved, nor any difficult technical know-how. In fact, good lighting is less like math and more like cooking. It’s like, you taste the soup and if it needs more salt you add some salt. You’ll see that when we learn to balance a flash with the existing, ambient light.”
“Controlling harsh natural light – one of the most important things to know as a shooter is how to use bad light well. Taking hard, nasty daylight and turning it into beautiful light is actually pretty easy.”