What Shall I Photograph when its windy? 

Lilac

Oregon Grape

Allium

Oriental Poppy in wind

Iris in wind

B&W Iris in wind

I looked out the kitchen window at my wife’s garden. It was late afternoon, the sun was peaking out under the clouds after a light rain, and the garden was glowing with a gusty, light breeze.

Linda mentioned that we hadn’t taken any pictures of the spring garden yet and suggested that it looked so fresh after that rain that I should be able to get some good flower photos in spite of the wind.

Wind? Wind is not a problem if photographers take the time to problem solve. I could increase the ISO or shutterspeed, but that wouldn’t do much for the ambient light, and I like more control. My normal technique for photographing flowers is to underexpose the ambient and illuminate the subject with a flash. I recall years ago having given my photography students a “stop action” assignment. They were to go out at night or find a large, dimly lit room, and use a flash to stop a moving subject in a photograph. All they had to do was select enough flash power at a specific distance to illuminate their subject properly when they released the shutter.

Those were assignments given before modern, computerized cameras and TTL dedicated flash when the flash would always produce the same amount of light and the aperture controlled the amount of light exposing the subject.

My technique for my windy garden was the same. I placed my 200mm macro lens on my camera and attached a ring-light on it. I really like is using a ring light on rainy days. I keep it on manual mode and stay at a specific distance so it won’t under or over expose the subject I am photographing. My ring flash also has ¼ and ¾ power increments to reduce the flash power output if I need it.

Just as my photography students learned all those years ago, when I pressed the shutter the flash stops the movement of the flowers in the wind. Nevertheless, the wind was quickly drying out the plants, so I had to quickly search for leaves that still showed raindrops.

The movement problem was almost solved. I took extra shots when I thought some motion had wrecked my shots, however, it was the sun that became the biggest concern. I had hoped the high clouds would block the sun, but instead of getting more bad weather, I got less, and with the clearing sky I began to struggle with the bright light.

The bright light would have been fine if all I wanted to do was document plants in the sun, but I wanted to go beyond that. Just pointing and shooting is boring. I would have liked to get out lightstands, a couple of off-camera flashes, and even a black backdrop, but the wind continued on, and would probably blow all that stuff over and I never followed up on that option.

So while other photographers might have celebrated the sunny, clear sky and be willing to put up with windy landscapes, I was done for the day.

I think I am pretty lucky that I don’t have to go far when I want to take pictures. Over the years I have looked hard into what is close to me and instead of being one of those photographers that depends on a car to find a location to get inspired. I just look around the yard and adjust my thoughts and camera for what awaits me.

 

 

 

 

 

 

 

 

 

 

 

Photography in the Garden on a Rainy Day

     

Two weekends in a row have seen me climbing up steep, loose, shale-covered cliffs to photograph eagles where they live high above a long, green, lake-filled, British Columbia valley.  However, this last week the weather has been cool, pretty wet, and certainly not good conditions for climbing or wildlife photography.  Oh, well, I had intended to stay away from those eagles until the chick was ready to fly later in the summer anyway, and I expect the interior of this province was getting a bit dry so the rain is welcome.

As I drank my morning coffee to a forecast of another day of rain I forgot about those birds and instead decided to go out into my wife’s garden to do some photography of her very wet plants. Hmm… I seem to make a lot of decisions over that first cup of coffee.  Just after a good rain is a favorite time to do garden photography and the dripping, spring morning was perfect.  When I mentioned I was going out, my wife, Linda, grabbed her camera and rubber boots and joined me.

Linda placed a ring flash on front of her 70-180mm macro lens and I used a 200mm macro and included a stand-mounted, off-camera flash. Adding light on the overcast day gave our images contrast and “pop” in the otherwise flat and limited lighting conditions of the rainy day. We both used monopods to steady our cameras as we moved around in the wet landscape.

When photographing plants I meter much the same as I would if I were doing an out of doors portraiture of a person. Selecting the camera’s manual exposure mode, I meter for the proper ambient, or existing, light exposure of my subject, and stop down to reduce the overall exposure. Then I add light. If the flash is set to TTL, then I use its exposure compensation feature to increase or decrease the power. If the flash is set to manual I move the flash closer or further away from the subject (in this case, the flower) until I get the illumination I want.

We enjoyed our photography in spite of the steady drizzle and I’ll mention that it is a good idea to keep wiping the slowly accumulating water off one’s flash. I don’t worry about my camera because it’s weather sealed, but the electrically charged flash is another matter. I know many photographers would opt for the dry comfort of home on a day like this, but sometimes we need to make our own photographic opportunities and even though this isn’t as exciting as hanging off a high ledge photographing eagles, I personally can’t think of any kind of photography I find more enjoyably relaxing than ambling through a garden capturing interesting light on interesting shapes, and the addition of rain drops on leaves and flower petals makes everything all the more creative.

We don’t have to go far to find something interesting to photograph. For my wife and me that location is just outside our front door and on that rainy day we would walk back to the cover of the porch to view and discuss the images on our camera’s LCD, and then we would step back into the garden and continue. There were no camera bags to be packed, trip planning, or driving of a car to a distant destination.

I am sure that is why I got interested in garden photography in the first place. It isn’t so much that I am fascinated with flowers, however, as a photographer, I am interested in colours, shapes, shadows and how easy it is to access all that. When I first started venturing into my wife’s garden, I would do it as a way to relax after a day of work.  Now it’s just fun photography that I recommend to any photographer wanting to be active with their camera.

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