Photographing a spring garden     

Finally…finally the spring warmth has crept in and we are getting the rain, sun, rain kind of days that are usual this time of year.

I think the plants in my garden that were holding back because of the cold days and nights last week will be exploding in bloom in no time.  I knew I would miss the beginning growth if I hesitated.

I sent a text to my friend Jo inviting her to join me and she showed up a few hours later ready to photograph the garden with me.

In my article last week I wrote, “why not photograph the flowers just as one would do a portrait.” So for our photos I got out two small 2’x2’ backdrops that Jo and I could place behind some of the flowers. Remember that I wrote that I used a small backdrop for flowers and other small items that is made of black velvet material attached to sharpened dowels that easily poke into the ground.

This time I mounted one wireless flash on a light stand, but decided not to use an umbrella. We took turns moving the flash for each other.

Jo shot with my 70-180mm AF macro and I used my 200mm Manual macro.

I also used the uniquely flexible Benbo tripod I wrote about last week. There was a slight intermittent breeze that was possible for Jo to overcome with her AF lens, but my manual lens had to have support, so the tripod was a must for me.

We were fortunate that the day was overcast. That made it easy to use a wide aperture to soften the background while still being able to underexpose the ambient light.

As I wrote last week, “The exposure was made exactly the same way I would have made it if photographing a person in an outdoor studio. Slightly underexpose the ambient light, position the flash for the best light direction, and continue to make tests until I got lighting that would flatter my subject.”

We wandered the garden looking for those flowers and plants that are early blooming and those that are just showing buds at the end of their branches.

For me, photographing my garden is a time consuming process that includes a tripod, an off-camera flash, a backdrop and a lot of walking around to find the right shape in the right location.

I met a biologist that decided to take up photography. He mostly used natural light and occasionally one of those inexpensive constant light kits. He would cut the plant that he wanted to photograph and use a clamp to position it. For me the process of photographing a flower usually includes its life cycle from the cool days of early spring to snowy winter days. So plant clippers, clamps and lights that plug into an electric outlet don’t work for me at all. I photographed the garden a few days ago. There has been rain and warm sun since then and I think it’ll rain again tomorrow. That mean I can expect may garden to have gone through a transition and photographing it will be a new experience. Spring, summer, fall and winter. It always is.

I will admit that I am not a gardener. I rarely remove weeds unless the get in the way of something I am doing. I don’t go through plant catalogues in the spring and can’t begin to name the plants that grow in my garden. But I do like to photograph those things that grow or just reside in my yard. My wife used to complain that I enjoyed the photography more than her garden. I disagreed. I like the garden because I like to photograph it.

Photographing the garden is calming and can be creative for those that take the time. That said here is a quote by Canadian photographer Freeman Patterson that I have used before.

In his book, “Photography and the Art of Seeing” he wrote, “ Seeing, in the finest and broadest sense, means using your senses, you intellect, and your emotions. It means encountering your subject matter with your whole being. It means looking beyond the labels of things and discovering the remarkable world around you.”

Photographing flowers.    

 

Just after I got to my shop this morning I received a text on my phone that read. “ Hi, How’s your shop today? I hope you sell something. What’s your article going to be about this week?”

To tell the truth, at that moment I was walking down the street to get a coffee from Tim Horton’s and I hadn’t thought about my shop, impending sales or my article.

Just coffee. However, when I got to the coffee shop there was a line, so to keep from being rude I returned a text that said, “I dunno, me too, dunno.”

I’ll shorten this story by saying that about four or five hours later I received another text from my friend Jo that said, “I have pictures for you of flowers in your yard. Stop by on your way home tonight and get the USB drive. They’ll be edited to PSDs and ready for your article.”

So the images I am posting this week are again from my photography pal Jo. However, this time she didn’t have to wander around in the rain.

Spring is just beginning and there are many plants in the process of poking out of the ground and blooming. I haven’t taken the time to photograph anything anywhere in the garden yet.

Maybe next week.

For me, photographing my wife’s garden is quite a time consuming process that includes a tripod, an off-camera flash or two, reflectors, and sometimes even a backdrop.

My wife used to complain that I enjoyed the photography more than her garden.

That may be so.

When I opened Jo’s images on the USB drive it was obvious that she was of the same mindset as my wife, and enjoyed the spring garden as much as she was enjoyed pointing her camera’s 70-200mm lens at everything growing there.

I have been noticing more and more flower pictures being shown on our local photographer’s page. I suppose Jo, like most of those that are posting flower pictures, could wander the mountain meadows around Kamloops, British Columbia. However,most of the pictures I see are of the same one or two early blooming wild plants, whereas the large fenced garden at my place has lots of different shapes and colours to choose from and if one is, like me, more interested in the image then the flower, a colourful garden is a great choice.

This is a good time to get out with one’s camera. Whether it’s to photograph plants and flowers in the rain or on a sunny day the growth and colours that spring brings is so stimulating.

The famous Canadian photographer Freeman Patterson, in his book, “Photography and the Art of Seeing” wrote, “ Seeing, in the finest and broadest sense, means using your senses, you intellect, and your emotions. It means encountering your subject matter with your whole being. It means looking beyond the labels of things and discovering the remarkable world around you.”

 

And thanks again to my good friend Jo McAvany.

 

 

 

Photographing a late summer garden.   

 

I woke up to a wet day.

There was a light shower overnight, not the strong rain everything is dying for here in the southern part of British Columbia, but it did dampen things down the most since those rainy weeks last June. However, any rain is good and if I had better hearing I surely would have heard happy sounds coming from the garden outside my door.

The drizzle ended and as I lazily finished my morning coffee, like any serious photographer, I knew there was an opportunity waiting.

Many photographers that are excited with all the brilliant colours of spring ignore the dry plants at the end of summer. Sure the reds, blues, purples, bright yellows and greens have mostly gone, but there is still an abundance of colours if one just takes a moment to look.

I like photographing the garden. As that well-worn quote attributed to Mark Twain goes, “ I don’t know much about Art, but I know what I like”, I admit that I have no memory for plant names, but I like all the flowers, trees and bushes one finds in a garden.

With me, it’s not really the colour as much as it is the shapes. My approach to a spring, summer, fall and winter garden is much the same. I search for the shapes, differing tones and, of course, the light.

My favourite accessory for rainy days is my ring-flash. As I would with any portrait, person or plant, I always use flash. I usually operate my flash off-camera using light stands and light modifiers. Sometimes just holding my flash at arms length works at the end of the day. But after a rain I like the sparkling direct light a ring flash produces.

The ring flash is a flash that fits around the front of a lens instead of on the camera. I prefer keeping the flash at some distance by employing longer focal length macro lenses. My macro lens, a true macro, is a 200mm. That lens keeps me out of the garden ensuring that I don’t step on other plants.

I photographing the garden, spring, summer, fall and winter, calming. Maybe that’s because I am looking into and at the small details of a landscape ignoring the world around me

When my wife and I photographed the garden together her final images were about space, design and how all the bushes and flowers fit together and how the colours interacted. Linda’s visuals discussed the landscape rather than individual flowers. Mine are more intimate. As I wrote, I am always, “looking into…at the details” when I wander our garden.

As with any portrait, I am rarely satisfied with natural light and almost always add light from a flash. And during those hours of low light as the storm slowly drifts away adding a bit of light to makes a normally flat subject come to life.

That garden just outside my door is always waiting. I never ignore it and am always looking to see what it offers.

I found this quote by the famous Canadian nature photographer and writer Freeman Patterson, “Seeing, in the finest and broadest sense, means using your senses, you intellect, and your emotions. It means encountering your subject matter with your whole being. It means looking beyond the labels of things and discovering the remarkable world around you.”

What Inspired or Inspires you to do Photography     

Inspiring Viewpoint 2

Palouse river canyon 2

 

 

 

A member of a photography site I frequented some time ago posed the question, “What inspired you?”

I took that to mean what inspired you as a photographer?

One would think that a question on a photographer’s website page would be a great opportunity for photographers to talk about those that encouraged, influenced, or affected their development in this exciting medium.

Anticipating discussions on celebrated photographers who had inspired others on that forum to get into photography I looked forward to reading members replies. However, I was surprised and disappointed with how few took the time to respond, and those that did seemed silly by only naming long gone painters like Rembrandt. Rembrandt? Not one member on that photographer’s forum mentioned another photographer.

Unable to contain myself I wrote, “I was inspired to do photography by photographers not painters. Those I admired and inspired me at different times include Man Ray, Richard Avedon, Irving Penn, Arnold Neuman, Gregory Heisler, Sarah Moon, Sheila Metzner and Annie Leibovitz. I must also mention scenic photographers like Elliott Porter, Ansel Adams, Edward Steichen and Edward Weston.”

Today I sent a friend a picture I had taken of him and several other friends in the early 1970s. I remembered at that time I was rarely without a camera, and how frustrating that was to some that just got tired of my constant picture taking. That’s when I recalled the preceding post on inspiration and my response.

I suppose there are painters and sculptors I like, but do they inspire my photography? No not really – I look to photographers for that. The first photographer and artist that inspired me all those years ago was Man Ray. It was after viewing his fascinating pictures that I began to study photography.

However, it is the second photographer on my inspiration list, Richard Avedon that I’ll quote here, “I think many photographers create in order to survive, both emotionally as well as financially. For a photographer, taking a photo is just as important as breathing”.

Sometimes when I see a photograph that I like I get excited. I might not be able to go to the location or find the subject of that picture, but it still makes me want to grab my camera and begin searching for something. I could say that photograph inspired me to create one of my own in my own personal way.

In my list to that forum I forgot to include the famous Canadian nature photographer and author, Freeman Patterson. I think any photographer interested in photographing gardens or landscapes will find inspiration in his photographs and his writing. Patterson wrote,  “Seeing, in the finest and broadest sense, means using your senses, your intellect, and your emotions. It means encountering your subject matter with your whole being. It means looking beyond the labels of things and discovering the remarkable world around you.”

There are many things and people that inspire me, too many to write down here, but the original post was on a photographer’s forum, so it’s photographers not painters that I thought about. There are many photographers past and present whose images are worth searching for, looking at, learning from, and of course, gaining inspiration from that will surely affect one’s own photography.

I always enjoy everyone’s comments. Please don’t hesitate if you have a moment.

Thanks, John

Chewy the Marmot and Chase Creek Falls

Chewy the Marmot

Chase creek Falls

Chase Creek April 2015

Path back to town

Spring is here. The weather has slowly warmed up I can see from my porch that the snow on the mountaintops is diminishing, so I decided it was time to visit a waterfall not far from my home.

I usually avoid waterfalls at this time of year because high volumes of murky, spring water rushing over the falls isn’t that photogenic and one never knows if the river’s bank will give away while you position your tripod. However, with the low volumes of water being reported I was sure that at Chase Creek Falls the interesting stream features like rocks and trees would be visible with the reduced water flow.

When I got to Chase Falls and parked my car I noticed a small sign along the trail that said to watch for a local marmot named “Chewy”. And sure enough, as I passed a large pile of very big rocks, there was a big marmot perched on top like some amusement park guard.

Marmots are usually shy when one walks near their burrow, but this rodent didn’t seem to be bothered in the least and readily posed for me as I hopped from rock to rock making portraits of him or maybe her. I did see a couple of immature marmots scurry out of sight; so I might be right thinking Chewy might be her instead him.

When I purchased my first DSLR years ago and began learning how to use Photoshop I remember saying to a friend that what I liked best was how easily one could crop without getting the degradation that came when cropping prints made from film. The problem with 35mm film was that anything shot over 400ISO was always grainy so that shooting wide and cropping later was usually disappointing. That’s why many photographers preferred medium or large format cameras to the tiny 35mm film.

I set my tripod up and focused my 24mm lens on the falls and shot wide.  I knew that when I viewed my images on my computer I would choose a crop that fit the rule-of-thirds without loosing much detail.

Modern DSLR sensors are much better in their ability to capture grainless detail at high ISOs than 35mm film was and even cropping away 50% of the picture doesn’t reduce the quality very much.

The low water level made it easy to scramble among the large rocks along the bank and chose a comfortable location to set my tripod up. I used a couple of neutral density (ND) filters so I could reduce my shutter speed to 3, then 4, 5, and finally 6 seconds to slow the water down and I chose a small aperture for lots of depth of field.

I have always enjoyed photographing that waterfall. I think I made my first photographs of it sometime in 1976, and I cannot recall how many times I have been back there since. I am fortunate to have a place like that so close to home where I can always find something to photograph.

With that I think I should end with a quote by a great Canadian photographer, Freeman Patterson, who says, “Seeing, in the finest and broadest sense, means using your senses, your intellect, and your emotions. It means encountering your subject matter with your whole being. It means looking beyond the labels of things and discovering the remarkable world around you.”

I look forward to comments. Thank you, John