I always enjoy the enlivened interaction that happens when a student of photography makes the decision to participate. During a workshop my job is to present information on the subject, and keep things going. I don’t like to be a demonstrator on stage and rarely pick up a camera during the workshops I lead. That is left to the participants.

Those are the words I used when I was discussing the first of two workshops I am leading this spring on the use of off-camera lighting. The first two-day workshop was about lighting in a studio and was held in a well-equipped photography location where I introduced how different lighting tools are used for portrait photography.

I have now finished the first of a two-session outdoor lighting workshop where the participants were surprised when faced with using many of those same lighting tools outside.

This workshop was about using light out-of-doors and I think returning participants were struck with how straight forward lighting is inside compared to outside. In the studio one synchronizes the camera’s shutterspeed to the studio flash and uses the aperture to determine the exposure of the light reflecting off a subject. However, out-of-doors a photographer is faced with additional variables and must balance the natural ambient light with an off-camera flash, and when using flash effectively it is more about creating and controlling shadows than filling them.

The weather was not willing to co-operate very much. It had rained all night and although the day brightened up some, a cold breeze from fresh snow in the mountains made us shiver when it wandered through our workshop space every now and then. Nonetheless, crappy weather or sunny days, it’s all about adding light, so in spite of the cool damp weather, the ten participating photographers and our intrepid model, Bailea, defiantly (maybe hopefully is a better word) stepped out of the warm studio and into the constantly changing light of day.

In this lighting workshop we dealt with the key aspects of outdoor portrait photography, such as understanding exposure, how photographers would learn to control depth of field, and to gain off-camera flash techniques that would transform their outdoor portraits into something special. And, as with my last workshop, there was excitement as participants got down to business and weren’t at all shy about getting shoulder to shoulder in a process of experimenting with and exploring outdoor lighting.

I had off-camera wireless flash setups in three locations, a large barn, a meadow beside a turn of the century horse buggy, and in the long grass where an old abandoned Cadillac rested. The photographers put each location to good use, and now I am looking forward to the next session. The few images I have seen so far are excellent and I am certain spending another day helping and watching each photographer’s progress is going to be a lot of fun.

Comments? I do like all comments. Thanks, John

My website is at www.enmanscamera.com