Leading a Photography Lighting Workshop   

getting-ready

photographers

reflector

modeling

having-fun

checking

American photographer David Hobby, author of the lighting blog Strobist that promotes lighting techniques, wrote about learning to use flash, “You may not realize it yet, but you have just stepped through a door that may change your photography forever…Photography is literally writing with light.” And he continues, “…you’ll learn how to take control of your electronic flash. If you can imagine it, you’ll be able to create it.”

I like using flash, and in my many years as a working photographer I rarely photographed people indoors or out without using a flash; and last Sunday with Hobby’s words in mind I led yet another interactive lighting workshop.

Actually I wonder if “study group” might be a better description of what happens when several photographers get together to experiment with flash. Nevertheless, these sessions are always an enjoyable whirlwind session for me as I try to present as much information as I can without reaching information-overload for the participants.

As photographers in the workshop begin to realize how much better, and more creative, their portraits are when they begin taking control of electronic flash they get excited. That excitement is contagious. So much so that I have to remind myself to slow down and explain what I am doing and why I am doing it when I add lights to a portrait setup.

Sunday’s group of photographers were quick learners and were demanding as they pushed limits and exhausted the model, then without skipping a beat, when our ever-so-patient model needed a break, one of the photographers took her place and the group kept on going.

I remember reading a book entitled, Teaching as a Subversive Activity, about student-centered learning over teacher-centered teaching. Sometimes one has to step back from being the center of attention and let people learn by themselves.

When I realized those photographers had reached the point where they were beginning to understand where I was leading them, I just got out of their way and let them be, besides that gave me some time to wander a bit and take some pictures of what was happening.

This first of two sessions, Modeling with Lighting in the Studio is now over.

Next Sunday we’ll be braving British Columbia’s cool October weather as we take our model outdoors to pose in several different locations with different lighting conditions in each. I entitled that, Balancing Lighting Out-Of-Doors.

In the studio we used large and powerful studio lights that recycled instantly. Next Sunday we will use much less powerful, small wireless speedlights that require waiting for batteries to recycle. The quick recycling studio lights are grand, but I like the slower speedlights because they force photographers to think about and plan their next shot.

Last weekend was a lot a fun. It is great being with other photographers and watching them get excited about learning something new. Saying that, I will add a quote by French photographerJacques-Henri Lartigue that I have used several times before, “It’s marvellous, marvellous! Nothing will ever be as much fun. I’m going to photograph everything, everything!”