Ask any experienced photographer whether to buy a new camera or a new lens and the answer will usually be, “it’s all about the glass,” or, “a good lens is more important than a good camera.” Most will also say that a bad lens on a good camera will still make poor images, but a good lens on a poor or average camera will still give the photographer good results.
I have written about this topic before and I discuss lenses every time I lead a photography workshop.
This past week I got a call from a photographer that was planning on starting a photo business and was wondering about what new equipment she should purchase.
The lure of new photo equipment is almost overwhelming. Most of us are willing to add new photo paraphernalia to our camera bag as soon as we have extra cash in our pockets. Hmm…that might be more emotional and impulsive than sensible.
Each season camera manufacturers come out with new cameras. There is lots of advertising, many reviews to read and there are hours of youtube programs by previously unknown experts talking about how each new camera made them better photographers.
I must admit that I read and watch as many programs as I can about the new cameras. But as exciting and tantalizing as each manufacturers offering is my belief still is that “a good lens is more important than a good camera.” So when I talked to that soon-to-be professional photographer my suggestion was not to change her camera, but to keep it and start researching the kind of lenses that would work best with the kind of photography she would be doing.
My advice would be to buy the best lens she could afford. I know that the lens that came with the camera seems to do a great job when viewed on a 16-inch computer monitor. But what if a client wanted to publish or print that image? And there must be a reason that one might be able to purchase a camera complete with an 18-300mm lens for well under two thousand dollars, yet a 24-70mm or 70-200mm will cost over two thousand dollars each.
I say, Yes, read and drool over that expensive new camera, but for now begin with putting the best lens you can on the camera you presently own.
I have been told that the camera will capture a subject’s personality. However, the lens in my opinion allows the resulting image to say something about the photographer. The photographer uses the lens to alter the visual personality of the image and I suggest that photographers are engaged in, what I’ll call, a search for a perspective that fits their personal vision.
It is all about the glass and there is an exciting diversity of lenses out there waiting for each photographer to choose, discard, and choose again as they explore and create within this stimulating medium.