The days here in Pritchard, British Columbia have been hot, dry, with air that has barely moved. A cloudless sky and constant sun that beats down on my head as I walk around my parched property, None of which has been that inspiring for photography.
So when I woke up to an overcast day this week I hurried through my morning chores with the thought of going off somewhere with my camera, and by the time I had finished my coffee I had decided to pull out my infrared converted camera and travel out along the dusty Stony Flats road to see how the overcast sky would show off the tall Fir trees that line it.
I drove along stopping for pictures every now and then, but I started feeling I was having a “photographer’s block”. It was then that I thought about the Chase falls.
I had been there only a couple months ago and thought about how nice it would to photograph the falls on a flat day without having to struggle with the hash contrast that accompanies a sunny day.
I knew the light would be unusual in that tight little canyon. It always is with infrared. Colour photos are so much easier there with the light is reflecting off the canyon walls.
This time of year the path along the creek is overgrown and narrow. And in my opinion, was a perfect subject for infrared with the subtle changing shades of green to a tonal range of whites.
The most dramatic infrared photographs of the falls need to be wide enough to include vegetation. An unaltered infrared image turns out mostly brown with a few slashes of light drifting down to make some features blue. Without foliage converting the image to black and white that isn’t much different than a normal black and white picture.
To get the otherworldly effect of infrared one must find and angle that includes foliage that turns white.
When plants reflect infrared light the effect will show them as glowing white, and its that tonal change that one is after when using infrared.
My favourite photographs were not the falls. This time it was the tightly treed creek and the overgrown path leading to Chase falls. However, the falls will always be the focal point of any photographs and one needs to work with that so viewers have a feeling from that location
Patience is part of any scenic/landscape photographer’s tool kit. And anyone that has accompanied me knows that I don’t become annoyed or anxious if I have to wait.
On this outing as I waited for over a half and hour for a fellow poking a stick into the water moving dirt, then digging with his hands and sifting though the particles. I never talked to him. I was up along the rocks for wide shots and he was perched on rocks near the falls. I assume he was hoping to find gold in the streambed.
He was finding small bits of something because he kept putting his findings in his shirt pocket. I have never searched for gold along that creek, but I have noticed a lot of iron pyrite clusters glowing in the shallow water. Maybe “fools gold” was what he wanted. Or, who knows, maybe he actually was finding something valuable.
To me the value I find in that canyon stream is the photographs I get to make.