A fellow stopped by my shop this past week to see what kind of film cameras I was selling. I don’t think he was planning on a purchase as much as he was interested to see if there were still film cameras available and, likely, just wanted to kill some time in a warm shop after wandering along the freezing street.
He began by saying he missed the days when he would load his camera with Black and White film and go out for the day. I laughed and said there is no reason you can’t still do that. “You just have to set your digital camera to black and white only mode. ” Then added, “of course I prefer to convert my images to Black and White in post.”
I remember those days (Not so fondly I may add) when I would always carry two cameras to photograph a wedding or a family. One would be loaded with colour film and the other with black and white. I placed a bright sticker on one camera so I would remember which had which film. And when I went on vacation I also would carry two cameras, one with black and white and one with slide film.
Always toting two cameras, and always changing lenses! Gosh, what a hassle lugging a big case with two cameras, lenses and bags of film.
I knew that fellow was just being nostalgic so I didn’t say any of that, but I sure thought about it and how much easier I have it now. He commented how much he liked black and white photographs and said he still has enlargements he made years ago hanging on his walls.
I also share is love for black and white prints. There are eight framed photographs that my wife and I made hanging on my walls. Including one that’s 3 feet by 4 feet. And there is even a B&W framed poster by Alfred Stieglitz on the wall behind the computer.
I agreed with him when he said that he thought that, black and white photographs, “convey a mood that stretches the imagination” and he mentioned that he admired several of the B&W portraits I have hanging in my shop.
That was a perfect time for me to quote Photojournalist Ted Grant, who is regarded as Canada’s premier living photographer, “When you photograph people in color, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!”
In an article in June of 2014 I wrote. “A black and white photograph depends on its ability to communicate, it doesn’t need to rely on eye-catching colours for its’ visual presentation. Those B&W images that stand and pass the test of time combine attention to subtle changes in light, composition, and perspective. And it stretches our creativity and forces us to visualize our world in different terms.”
I wouldn’t want to be limited to shooting black and white any more than I would want to be limited to only using one lens. Some images just seem stronger in colour. However, if I can again repeat what I also wrote in that 2014 article, “I remember a photographer once saying that he believed shooting in B&W refined one’s way of seeing. And I heartily agree.”
I am a colour addict, but find myself playing with B&W a lot more these days. Cool post 🙂
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Thanks Fragg…Some images, scenes and subjects are better to me in B&W.
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Love your post, as an B&W addict (though digital)
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A black and white image is just that. Whether is comes from a digital file or a piece of film is of no consequence in my opinion.
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Working in b&w can help in understanding tonal range, Especially in the darkroom…color is harder in film. I personally love having all the options available.
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I haven’t bothered with a film darkroom for years…But when printing digital files I do agree with you LM, printing B&W really helps to understand colour.
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Great post!
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