The first class I ever taught on photography was sometime back in 1976. I think.
I had just moved from Los Angeles to Kamloops, British Columbia and a coordinator from the local Parks and Recreation Association asked me if I would teach a class for beginning photographers.
He had talked to some friends and found out that I had worked as a photographer for the Los Angeles office of Education and also spent time teaching grade school age children in private schools, so he thought I would be a perfect fit in their community education program.
I always liked sharing my knowledge of photography with those that, like me, were excited about this exciting medium and always enjoyed hanging out with other photographers. I had trained to teach grade school, but I wasn’t sure about adults.
Well, here I am all these years later. Gosh, 1976 seems so darned long ago. And I have shared my knowledge with so many people. I taught classes all over the province and was even employed as a college photography instructor for many, many years. So when a friend’s mother; who works for the Ashcroft community association asked me get up early on a Sunday morning and travel two hours to teach a photo class to fifteen eager photographers, lazy as I am, I couldn’t say no.
I designed the sessions I lead for busy adult beginning photographers that have lots of other stuff on their plate. I break my presentations into four separate headings that allow me to add information as I go along. I begin with Modes and give participants my opinion as to why they should only use and how to use, Shutter priority, Aperture priority and Manual modes. The terminology varies with different manufactures, but the discussion is the same. I can then easily plug in all sorts of tips and directions regarding their camera menus without loosing track of our exploration of Modes.
Naturally my next heading is Understanding Exposure, how could it not be after examining their camera’s Modes. Then as they scribble notes on the handouts I have given them I turn on my projector and begin my talk about Depth of Field.
Depth of field is, “that area in front of and behind the subject that is acceptably sharp”. Treating DOF as a main topic helps to show learners how the Aperture and Shutterspeed have a use other than just choosing a way to make sure their image isn’t under or over exposed.
Finally, and my favourite discussion of the day, I present Composition. The word composition gets thrown around a lot. I’ll read forums where members might say something like, “great capture, good composition,” or sometimes, something as meaningless as “I love your composition”.
I know they don’t actually mean composition as a photographic technique. I think it’s become an alternative word that means, “Picture”. They want a more modern word, and I suppose using the word “composition” instead of “picture” has sadly and ignorantly become that word.
Photographic composition is defined as, “the selection and arrangement of subjects within the picture area.” And my discussion is about using composition and compositional guidelines to enhance a photograph’s impact.
Those four topics allow me to interject all sorts of information about using their cameras and I can sum every thing up as I finish discussing Composition.
I always hope that those in attendance take the time to reread the handouts I gave them, browse their notes, practice their photography when they leave the same way one would when learning a musical instrument and when the opportunity arises, take another class on photography.
In my opinion the learning never should end.