My Life with our Cat, (and photo pal) Peaches

Peaches the cat posing

My life with Peaches (sometimes referred to as that damn cat) started a little over fifteen years ago when she moved into the hay shed one cool fall day.

We would get cats living there from time to time, and I bought cat food and would feed them when I fed our horses. Here in the wooded hills where I live it is pretty common to find cats that heartless humans from nearby towns have pushed out of their cars along the road with the misguided belief that domestic cats will survive the wilderness.

I don’t know how but that little mess of calico fur made it to our shed, and survived the raccoons, hawks, owls, coyotes, bobcats, other cats, and neighborhood dogs that all prey on helpless cats that only knew the comfort of some home until they were coldly discarded.

Peaches got her name when I told my wife I was feeding four cats. She came out and asked me if I had named them; I pointed to the black long hair and said “Furry”. The grey and black-striped cat I named “Furry”. The orange I called “Furry”. And pointing at the calico long hair, I finished with “Furry”.

That worked fine for me, and the cats only cared about the occasional rub on their head and food anyway. My wife was not having that, named them on the spot and told me to call them by their names. I promised to do that, but mostly I just whistled at them. I expect they liked being named by that unknown person that cuddled and talked softly to them, but seeing me meant food.

An owl got the furry black that got to be called Miss Furry. The neighbour’s had a town friend who came out with his dog who promptly killed the orange cat named Earless, so named because her ears had been frostbitten down to short little stubs. After the neighbours moved away, the striped cat she named Trixie, moved into the new people’s garage and was eventually taken in. Finally she called the calico cat Peaches.

One very cold snow covered morning I discovered that longhaired, calico cat almost lifeless after what might have been a struggle with a coyote and brought it into the house to mend. Peaches became our house cat and with a single-mindedness that I later was forced to tolerate, became to be my wife’s lap cat.

Peaches also filled an important role in our household as my ever-present photography subject. Is there a better poser than a cat? I had dogs for years. Sure, dogs will do anything to please and I constantly photographed them, but dogs get bored easily and unless they were tired would move. If you photograph your dog be prepared to continually wipe the drool off your camera. But a cat, the consummate poser, will hold one position without moving for a long time.

Peaches didn’t mind waiting for multiple light setups, close-ups, or even an occasional repositioning. She would just sit there, soft orange-ish fur glowing in the light, and look at me waiting for the next release of the shutter.

What could be better for a portrait photographer than to have an ever present and willing subject? And her modeling fees were reasonable.

I don’t know how old that cat was when she wandered, cold and hungry, into our barn fifteen years ago. She certainly wasn’t a youngster. This last year she had been getting old fast like the rest of us, and this week, after a couple visits to the vet for medicine that was of little use to curb her failing health, Peaches died.

My wife, of course, will miss that cat purring on her lap and I am going to miss my ever-willing photography partner.

Give people gift of Photography this year.

How many pictures did you take last summer?  How many pictures did you take while on your last vacation?  What did you do with all those images?  Make lots of small prints? Or did you, heaven forbid, just store them away on your computer’s hard-drive?  Maybe you have thousands of images on CDs and DVDs?

Some of you enlarged a few and maybe joined other photographers in an exhibition and might now have a some matted and framed photographs looking for space on your walls and if you are like me wall space gets pretty limited.   At least I have a shop that I can fill with my framed or matted photographs, but I still have lots of photographs that, in my opinion, deserve a better place than to be stored away and never to be seen.

I have always printed my photographs.  Before digital I would remove my film from the camera, take it to my home lab, then process and print every frame on the negative I liked. I rarely made prints smaller than 8X10 and if I really liked one or more of the shots I would make 11×14 enlargements that including the matt and frame became 16X20.  Nowadays I probably print even more because it is so easy to just sit down to my computer and get excited about the images my wife and I have captured.

As always, I try different techniques, paper, and colours, with an outcome of lots of prints piling up.  Now to get to the point of this column, giving photography as gifts.  I heard about a local photographer that places quite a value on the photography he produces and believes no one should have any of his photography unless they pay for it. As a working photographer I cannot find fault with the value he puts on his work, but I also like people to enjoy my photography and come from the belief that my photography is better suited to being displayed than gathering dust because I want money for every shot.

I have neighbours and because they are loggers they have gladly cut down a tree or two about to fall on my fence. Another neighbour is a skilled mechanic has helped me with my truck when it needed work. The people next door always take care of my chickens, pond full of fish and old cat when my wife and I must be away. None of these people have requested money for their professional skills.  I have friends that are fun to spend the evening partying with, and others that I just want to say hello to without disturbing their busy schedule. I guess I could go out and buy them presents. However, what better gift than a photograph or photographs by me? 

My favourite gift is to photograph their family and give them prints and a CD. If they want an enlargement or two for their family, I’ll make that for them also.   What about all those prints piling up? I haven’t tried this, but I remember that while at a party, a photographer friend of mine brought out a wonderful selection of dry mounted 8×12 and 11×14 photographs and

told everyone they could have any print they wanted. Cards and calendars of our photographs make great gifts also.

Years ago I stopped to photograph a little girl riding her horse along a dusty back road I live on. I printed an 8×10 and gave it to her the next time I saw her. She has since moved to Kamloops, grown up, married, and had children and I suspect her children have made her a grandmother by now. That photograph made us good friends. I know anytime she sees me she will make her way through the crowd or cross the street just to say hi. (I even photographed her wedding many years later) I have photographed my son’s friends on bicycles, motorcycles and cars and given them enlargements.  At one time I could say I had made pictures for everyone on the street I live, but many have moved away and we have new neighbours everywhere. Maybe it’s time to start walking around the neighbourhood again with my camera.  What a great gift a photograph can be.

www.enmanscamera.com

 

Photographing a Rodeo

There is something about a rodeo that changes the visible culture, or, at least, what seems to be the normal dress code for many folks. Baseball caps are traded for cowboy hats, beige slacks and cargo pants are changed to blue jeans, and footwear for a day out with the family changes from running shoes or toeless sandals to cowboy boots. It could be that a sporting event like a rodeo is more a celebration of a lifestyle than others that are attended by fans donning a team jersey and cheering for their favourite team.

The 17th Annual Pritchard Rodeo was the first I have attended just for the sole purpose of photographing the fast-paced, explosive action, and I thought about the words of professional rodeo photographer Rick Madsen as I walked down the dusty road to the arena, “Each event in a rodeo involves more than one player. It is the interaction between man and animal, or in many cases man and beast, which makes the technical and creative aspects of rodeo photography so exciting and rewarding.”

I was late and the saddle bronc riding had started, but that gave me the opportunity to watch the photographers and I easily figured out who were the first-timers, the dedicated amateurs, and the experienced rodeo photographers. Anytime I am faced with a new photographic adventure I look to those with experience, and don’t mind asking questions if given the chance. I also realized there was time between riders so I would have time to check my metering and get myself in the best position for the action.

It was hot under the midday sun and a bright blue sky with riders starting from a location that was under deep shade, which was fine for them, but I knew that no camera sensor could handle that much contrast; and I knew I would have to make exposures before the participants reached the sunny area, wait, change settings, then start making exposures again when they were in the bright light. I missed the first, and then nailed the rest when I figured out the timing. I quickly learned how important it was to listen to the announcer, not only because he was expressive and fun to listen to, but also because he gave all sorts of important information a photographer could use about the horse and rider.

I am experienced at photographing sporting events, so other than the time it took me to know where to stand for each event, I was ready. My camera was mounted with a 70-210mm lens and I selected shutter priority mode, with 1/500th second shutter speed. The bright day let me get away with ISO200. I also selected the continuous shooting mode so I could get bursts of up to eight frames a second if I wanted.

I photographed from several locations then moved to one end of the arena where five photographers were working. There was a husband and wife team who said they were “just enthusiasts” that liked to photograph rodeos in their spare time. One fellow said photographing rodeos was a hobby, and he had just returned from photographing one in Arizona. I also met a vacationing photographer from France, and while travelling through Kamloops she had heard about the Pritchard rodeo and decided to spend an extra day to photograph the rodeo before continuing south to the Okanagan. We talked about photography and her trip, and, of course, I reminded her about the wonderful BC wineries she would be soon be driving by.

All those people were great to meet and added another dimension to an already great day of photography. Along with them, I met Bernie Hudyma (http://www.berniehudyma.com), an experienced and well-known photographer whose images regularly appear in magazines. In my opinion it doesn’t get much better than that when one is trying to learn about photographing a subject. He gave me tips on where to shoot, and once reminded me I had to take care as a massive bull charged the fence where I was and I quickly pulled back. (Just how heavy are those animals?) Nevertheless, it was a fun day of shooting and I ended up with lots of great photographs.

For those photographers that want to try something new and exciting, I recommend finding a local rodeo. Photographing those explosive moments, as Madsen puts it, “the interaction between man and animal… makes the technical and creative aspects of rodeo photography so exciting and rewarding,” which corresponds to how I found the experience – very exhilarating and satisfying.

http://www.enmanscamera.com