Sunday was one of those “let’s see how many small jobs I can do” days. One would think there is no chance of being bored on a day like that, but I finally decided it was time to relax and sat down with a glass of wine, and enjoyed lunch with my wife and listened to some jazz.

As I made my way from one chore to another I kept looking at the snow in the garden and wondering if there was an opportunity waiting to make a photo or two, but I pushed along thinking “maybe later”.   However, as I started on my second glass of wine I complained that the outside light was gray and flat and that maybe I should just forget it. Could that have been the wine talking, or that I am just lazy?

Ever one to keep me on my toes, my wife, Linda, reminded me of a lecture we once attended by Canadian photographer, and author, Sherman Hines. (I recommend readers check him out) As she remembered Hines had said something like; “there is always something to photograph when the weather is poor, look for the small stuff”. There was the challenge. I left the room to get my camera.

The snow was getting wet on the plus 1 degree C afternoon so I decide to leave my tripod behind and mounted my wife’s 70-180mm AF macro on my camera. That unique, fun to use lens is the only true zoom Micro (macro) lens ever made by Nikon. And I get to borrow it anytime, well, almost anytime.

I got my camera and put together my lighting for what would be an excursion to search out the intimate features poking through the snow in my wife’s garden.

I attached a flash on a stand and chose a shoot-through umbrella. I could have connected a wireless sender and receiver, but I decided to use a TTL camera-to-flash cord that would allow the camera’s computer to direct the flash to provide the correct exposure for the close-up kind of subjects I would be photographing.

Although I had complained about the limited light on the heavy overcast day, I knew it would be perfect for my sojourn through the garden. I could easily meter the ambient light, then under expose slightly so the flash would become the main light instead of the hazy sun. The modified light from a shoot-through umbrella is even across the image with a gradual transition from highlights to midtones to shadows, or a soft light.

I stuck the stand through the snow and easily positioned the flash. And unlike a snowless landscape, the snow kept the stand steady no matter the angle. All I had to do was choose an angle and release the shutter. That particular zoom lens allows for a constant macro at every focal length. It was pretty neat and easy.

I choose to photograph that garden in every season. I know there are many photographers that only take pictures of plants when they are in bloom and prefer colourful representations. However, spring, summer, fall, winter, snow, rain, sunny, or overcast, I find that our garden is filled with ever changing subjects that always offer something new and I expect that Sherman Hines surely would approve. My advise to photographers that think they must wait for inspiring weather before their next garden safari, is to take Mr. Hines’ advice, because there is always something to photograph when the weather is poor, just get up close and look for the small stuff.

I enjoy everyone’s comments. Thanks, John

My website is at www.enmanscamera.com